Johann Joseph Vilsmayr, Isabelle Faust made "Partita for Solo Violin No. 5 in G Minor: II. Gavotte" available on October 20, 2023. With Partita for Solo Violin No. 5 in G Minor: II. Gavotte being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "Solo: Matteis - Pisendel - Biber - Guillemain - Vilsmayr". In this album, this song's track order is #18. Furthermore, we believe that the track originated from France. In terms of popularity, Partita for Solo Violin No. 5 in G Minor: II. Gavotte is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Partita for Solo Violin No. 5 in G Minor: II. Gavotte by Johann Joseph Vilsmayr, Isabelle Faust having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata da Camera Op.2 No.7 in F Major: 1. Preludio - Adagio | İzmir Barok | D♭ Minor | 4 | 12A | 121 BPM | ||
Hamburg Symphony No. 5 in B Minor, Wq. 182: III. Presto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Canonic Duo No. 4 in D Minor: Piacevole, Non Largo | Georg Philipp Telemann, Angèle Dubeau | B Minor | 0 | 10A | 163 BPM | ||
Violin Sonata in G Minor, Op. 2 No. 3: I. Adagio | Michele Mascitti, Fabrizio Cipriani, Antonio Fantinuoli | B Major | 2 | 1B | 111 BPM | ||
2e Livre de Sonates à violon seul et basse continue, Sonata X: Largo | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
The Swans at Coole (Version for Violin) | Máire Breatnach, Lynda O'Connor | E♭ Major | 0 | 5B | 130 BPM | ||
L'arte dell'arco, B. F11: Variazione No. 26 | Giuseppe Tartini, Alessandro Clerici | F Major | 3 | 7B | 125 BPM | ||
Rosary Sonatas: No. 11 in G Major ‘Resurrectio’, C 100: 2. Surrexit Christus hodie | Heinrich Ignaz Franz von Biber, Elizabeth Wallfisch, Linda Kent, Rosanne Hunt | F Minor | 0 | 4A | 106 BPM | ||
Oboe Concerto, GWV 302: II. Tempo giusto | Christoph Graupner, Elisabeth Grümmer, Ensemble der »Bachkantaten in Vorarlberg« | F♯ Major | 0 | 2B | 79 BPM | ||
Pièces de clavecin avec une méthode, Suite in D Major, RCT 3 (Arr. for Accordion by Janne Valkeajoki): III. Les soupirs | Jean-Philippe Rameau, Janne Valkeajoki | A Minor | 2 | 8A | 70 BPM |
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