Jean-Philippe Rameau, Alberto Rasi, Accademia Strumentale Italiana made "Cinquième Concert, RCT 11: III. La Marais" available on March 4, 2022. The duration of Cinquième Concert, RCT 11: III. La Marais is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Cinquième Concert, RCT 11: III. La Marais's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Philippe Rameau, Alberto Rasi, Accademia Strumentale Italiana's "Jean-Philippe Rameau: Pièces De Clavecin En Concerts" album is number 16 out of 16. On top of that, Netherlands appears to be the country where this track was created. Cinquième Concert, RCT 11: III. La Marais is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Cinquième Concert, RCT 11: III. La Marais by Jean-Philippe Rameau, Alberto Rasi, Accademia Strumentale Italiana to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Martha Argerich | F Major | 0 | 7B | 130 BPM | ||
Sechs Klavierstücke, Op. 118: II. Intermezzo in A Major | Johannes Brahms, Arcadi Volodos | A Major | 0 | 11B | 69 BPM | ||
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax | Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 1 | 5B | 99 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
From the Bohemian Forest, Op. 68, B. 133: V. Silent Woods (Arr. Niefind & Ribke For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | D♭ Major | 0 | 3B | 85 BPM | ||
2 Aquarelles: Lento, ma non troppo | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | B♭ Major | 1 | 6B | 72 BPM | ||
Castor et Pollux, RCT 32, Acte IV, Scène 2: "Phébé, tu fais de vains efforts" (Mercure, Phébé, Pollux) | Jean-Philippe Rameau, Philippe Talbot, Clémentine Margaine, Florian Sempey, Ensemble Pygmalion, Raphael Pichon | G Major | 3 | 9B | 70 BPM | ||
Sonata No. 55 in A Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | A Minor | 0 | 8A | 80 BPM | ||
6 Impromptus, Op. 5: Impromptu V | Jean Sibelius, Leif Ove Andsnes | B Minor | 0 | 10A | 72 BPM | ||
Nouvelles suites de pièces de clavecin / Suite In G Major: Gavotte avec 6 doubles | Jean-Philippe Rameau, Kenneth Gilbert | F♯ Minor | 5 | 11A | 135 BPM |
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