"Divertimento, Op. 42: Prologue - Song - Dance - Burlesque - Soliloquy - March" by Vincent Persichetti, London Symphony Orchestra Wind and Percussion Ensemble, David Amos was released on April 18, 2006. Divertimento, Op. 42: Prologue - Song - Dance - Burlesque - Soliloquy - March appears to be safe for all ages as it is not explicit. There are a total of 7 in the song's album "Persichetti: Divertimento / Masquerade / Parable Ix". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Divertimento, Op. 42: Prologue - Song - Dance - Burlesque - Soliloquy - March's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Divertimento, Op. 42: Prologue - Song - Dance - Burlesque - Soliloquy - March by Vincent Persichetti, London Symphony Orchestra Wind and Percussion Ensemble, David Amos having a BPM of 148 with a half-time of 74 BPM and a double-time of 296 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
The music key of this track is A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on a Korean Folk Song: II. Vivace | John Barnes Chance, Illinois State University Wind Symphony, Stephen Steele | D♭ Major | 1 | 3B | 112 BPM | ||
III. Dance (Divertimento for Band) | Air Combat Command Heritage Of America Band | F Major | 1 | 7B | 131 BPM | ||
Copland: Symphony No. 3: I. Molto moderato, with simple expression | Aaron Copland, San Francisco Symphony, Michael Tilson Thomas | A Major | 1 | 11B | 82 BPM | ||
Suite française: II. Bretagne | Darius Milhaud, Equipages De La Flotte De Toulon, Gérard Besse | D Major | 0 | 10B | 72 BPM | ||
Serenade No. 10, Op. 79: VI. Scherzando | Vincent Persichetti, Judith Hall, Elinor Bennett | D Minor | 1 | 7A | 96 BPM | ||
Symphonic Suite: I. Intrada | Clifton Williams, North Texas Wind Symphony, Eugene Migliaro Corporon | E♭ Major | 1 | 5B | 74 BPM | ||
same mvt. 3 | Vincent Persichetti, Laurel Zucker and Sara Cutler | G Major | 1 | 9B | 117 BPM | ||
Concerto in F Minor, Op. 18: I. Allegro moderato | Oskar Böhme, Thomas Hooten, Rebecca Wilt | F Minor | 1 | 4A | 99 BPM | ||
Tableaux de Provence (arr. for saxophone and orchestra): I. Farandoulo di Chatouno | Paule Maurice, Claude Delangle, Singapore Symphony Orchestra, Lan Shui | G Major | 1 | 9B | 79 BPM | ||
Festival Variations | Claude T. Smith, United States Army Field Band, Thomas H. Palmatier | G Minor | 3 | 6A | 142 BPM |
Section: 0.8219871520996094
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