Steve Perry made "Foolish Heart" available on April 1, 1984. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Street Talk (Expanded Edition)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. In terms of popularity, Foolish Heart is currently fairly popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Foolish Heart by Steve Perry having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overjoyed | Stevie Wonder | B♭ Major | 3 | 6B | 83 BPM | ||
Half Crazy | Johnny Gill | A♭ Major | 2 | 4B | 65 BPM | ||
Hands To Heaven | Breathe | A♭ Major | 4 | 4B | 129 BPM | ||
Holdin' on to Yesterday | Ambrosia, Alan Parsons | F♯ Minor | 7 | 11A | 146 BPM | ||
You Better Wait | Steve Perry | G Major | 9 | 9B | 114 BPM | ||
Love Is Forever | Billy Ocean | C Major | 4 | 8B | 132 BPM | ||
Rainbow's End | Sérgio Mendes | E Major | 5 | 12B | 97 BPM | ||
Seasons Change | Exposé | A Minor | 5 | 8A | 174 BPM | ||
Could've Been | Tiffany, George Tobin, Bill Smith | D♭ Major | 2 | 3B | 99 BPM | ||
Babe | Styx | D Major | 2 | 10B | 169 BPM |
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