"Messa da Requiem (2004 Digital Remaster), II. Dies Irae : Quid sum miser" by Elena Filipova, Reinhild Runkel, Peter Dvorsky, Chor des Münchner Philharmoniker, Munich Philharmonic Orchestra, Kurt Rydl, Sergiu Celibidache was released on November 28, 2005. With this song being about 5 minutes long, at 4:35, "Messa da Requiem (2004 Digital Remaster), II. Dies Irae : Quid sum miser" by Elena Filipova, Reinhild Runkel, Peter Dvorsky, Chor des Münchner Philharmoniker, Munich Philharmonic Orchestra, Kurt Rydl, Sergiu Celibidache is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Verdi: Messa Da Requiem by Sergiu Celibidache. The song's track number on the album is #6 out of 21 tracks. Messa da Requiem (2004 Digital Remaster), II. Dies Irae : Quid sum miser is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Messa da Requiem (2004 Digital Remaster), II. Dies Irae : Quid sum miser by Elena Filipova, Reinhild Runkel, Peter Dvorsky, Chor des Münchner Philharmoniker, Munich Philharmonic Orchestra, Kurt Rydl, Sergiu Celibidache has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Messa da Requiem (2004 Digital Remaster), II. Dies Irae : Quid sum miser being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on an Original Theme, Op. 36, "Enigma": Theme - Andante | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | G Minor | 0 | 6A | 91 BPM | ||
None But the Lonely Heart, Op. 6 No. 6 | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Oleg Boshniakovich | D♭ Major | 0 | 3B | 93 BPM | ||
Marche slave, Op. 31, TH 45 | Pyotr Ilyich Tchaikovsky, Royal Philharmonic Orchestra, Adrian Leaper | B♭ Minor | 4 | 3A | 111 BPM | ||
Messa da Requiem (2004 Digital Remaster), II. Dies Irae : Liber scriptus | Kurt Rydl, Peter Dvorsky, Sergiu Celibidache, Munich Philharmonic Orchestra, Elena Filipova, Chor des Münchner Philharmoniker, Reinhild Runkel | D Major | 1 | 10B | 91 BPM | ||
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
Gloria in D, RV 589: II. Et in terra pax hominibus | Antonio Vivaldi, Choir of King's College, Cambridge, Stephen Cleobury, Academy of Ancient Music | B♭ Minor | 2 | 3A | 130 BPM | ||
Toccata And Fugue In D Minor, BWV 565: Fugue | Johann Sebastian Bach, Karl Richter | D Minor | 2 | 7A | 171 BPM | ||
Passacaglia In C Minor, BWV 582: Passacaglia | Johann Sebastian Bach, Karl Richter | D♭ Minor | 2 | 12A | 53 BPM | ||
Carmina Burana / 1. Primo vere: "Omnia Sol temperat" | Carl Orff, John Shirley-Quirk, Royal Philharmonic Orchestra, Antal Doráti | G Minor | 0 | 6A | 95 BPM | ||
Concerto for Strings in G Minor, RV 156: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM |
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