Vladimir Horowitz's 'Kinderszenen (Scenes from Childhood), Op. 15: 2. Kuriose Geschichte' came out on 1962. With Kinderszenen (Scenes from Childhood), Op. 15: 2. Kuriose Geschichte being less than two minutes long, at 1:09, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "Schumann: Kreisleriana, Op. 16; Wieck-Variations; Kinderszenen, Op. 15; Toccata in C Major, Op. 7". In this album, this song's track order is #11. Based on our statistics, Kinderszenen (Scenes from Childhood), Op. 15: 2. Kuriose Geschichte's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Kinderszenen (Scenes from Childhood), Op. 15: 2. Kuriose Geschichte by Vladimir Horowitz having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
The music key of this track is D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Moments musicaux, Op. 94, D. 780: No. 3 Allegro moderato | Lang Lang | F Minor | 1 | 4A | 128 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
Valse Mélancolique | Vladimir Rebikov, Christopher Ferreira | B Minor | 1 | 10A | 113 BPM | ||
8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | ||
Etude in D-Flat Major, Op. 8, No. 10: Allegro - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Major | 2 | 3B | 111 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
Etude in A-Flat Major, Op. 8, No. 8: Lento - Tempo rubato - Remastered | Alexander Scriabin, Vladimir Horowitz | B♭ Minor | 0 | 3A | 96 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
12 Etudes, L.136: 11. Pour les Arpèges composés | Claude Debussy, Mitsuko Uchida | D♭ Major | 0 | 3B | 73 BPM | ||
3 Polkas de salon, Op. 7, JB 1:60: No. 1 in F-Sharp Major, Allegro commodo | Bedřich Smetana, Jitka Čechová | F♯ Major | 0 | 2B | 73 BPM |
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