Tara-Louise Wittwer made "Ab wann wurden Entschuldigungen relevant? - Die Historie der Entschuldigung, Teil 19" available on May 1, 2024. The duration of Ab wann wurden Entschuldigungen relevant? - Die Historie der Entschuldigung, Teil 19 is about 3 minutes long, at 3:07. Based on our data, "Ab wann wurden Entschuldigungen relevant? - Die Historie der Entschuldigung, Teil 19" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 79 in the song's album "Sorry, aber ... [Eine Verzichtserklärung an das ständige Entschuldigen (Ungekürzte Autorinnenlesung)]". In this album, this song's track order is #53. Furthermore, we believe that the track originated from Germany. Ab wann wurden Entschuldigungen relevant? - Die Historie der Entschuldigung, Teil 19 is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Ab wann wurden Entschuldigungen relevant? - Die Historie der Entschuldigung, Teil 19 by Tara-Louise Wittwer having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kapitel 5 - Die Wut, die bleibt | Mareike Fallwickl, Marie-Isabel Walke, Ulrike Kapfer | E♭ Minor | 2 | 2A | 168 BPM | ||
Kapitel 52 - Neue Träume am Strand (ungekürzt) | Susanne Oswald | E Major | 4 | 12B | 118 BPM | ||
Teil 81 - Das kleine Eiscafé | Fenna Janssen, Rebecca Madita Hundt | D Major | 4 | 10B | 167 BPM | ||
Teil 31 - Lola Band 2: Lola macht Schlagzeilen | Isabel Abedi, Meira Durand | D Major | 2 | 10B | 127 BPM | ||
Kapitel 04 - Luzifers Fluch - Dark Romance Hörbuch | Eliza Raine, Fantasy Hörbücher, Romantasy Hörbücher | F Minor | 3 | 4A | 85 BPM | ||
Kapitel 9 - Inselzauber - Die Büchernest-Serie, Band 1 | Gabriella Engelmann, Eva Gosciejewicz | C Major | 4 | 8B | 118 BPM | ||
Kapitel 103 - Marrying my Bad Boss | Hailey J. Romance, Lisa Müller, Valentin Schütze | E Major | 3 | 12B | 79 BPM | ||
Kapitel 105 - Der Mann im Kleiderschrank | Birgit Gruber, Paula Hans | C Minor | 3 | 5A | 68 BPM | ||
Teil 14 - Lola Band 2: Lola macht Schlagzeilen | Isabel Abedi, Meira Durand | D Major | 2 | 10B | 127 BPM | ||
Kapitel 7 - Pick me Girls | Sophie Passmann | F Major | 2 | 7B | 97 BPM |
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