On April 19, 2011, the song "Brandenburg Concerto No. 5 in D Major, BWV 1050: I. Allegro" was released by Bach Collegium Japan. Since Brandenburg Concerto No. 5 in D Major, BWV 1050: I. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Various Artists's "I Do! - Classical Wedding Music" album is number 32 out of 79. In terms of popularity, Brandenburg Concerto No. 5 in D Major, BWV 1050: I. Allegro is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Brandenburg Concerto No. 5 in D Major, BWV 1050: I. Allegro by Bach Collegium Japan to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia Nо. 3 in fa minore (La morte d'Abel): II. Larghetto | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
Wer nur den Lieben Gott lasst walten (Choral) | Felix Mendelssohn, Gesine Adler, GewandhausChor, Leipzig Mendelssohn Orchestra, Gregor Meyer | D♭ Major | 1 | 3B | 74 BPM | ||
Grande Messe des Morts: XIV. Sequentia: Oro supplex - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | F Minor | 0 | 4A | 86 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 23 in B major, BWV 868 | Luc Beauséjour | B♭ Major | 4 | 6B | 141 BPM | ||
Mondonville: In exitu Israel: II. Chœur. "Mare vidit" | Jean-Joseph Cassanéa De Mondonville, Emmanuelle Haïm | F Major | 2 | 7B | 119 BPM | ||
Spatzenmesse in C-Dur, KV. 220 'Missa - Credo' | Chor, Solisten & Orchester von St. Augustin, Manfred Equiluz, Ingrid Hofer, Michael Gailit, Brigitta Karwautz, Wolfgang Bankl | C Major | 1 | 8B | 94 BPM | ||
Sonata for Violin and Continuo No. 11 in C Minor: I. Largo | Jean-Jacques-Baptiste Anet, Théotime Langlois de Swarte, Justin Taylor | F♯ Minor | 2 | 11A | 168 BPM | ||
Symphony No. 8 in D Minor, Op. 2, "Worcester Overture": III. Tempo di Gavotta | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 142 BPM | ||
Les fêtes d'Hébé, RCT 41, Act I Scene 5: Revenez, tendre amant, embellissez ces lieux | Jean-Philippe Rameau, Lóránt Najbauer, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | E♭ Major | 0 | 5B | 99 BPM | ||
Pieces de clavecin: Suite in E Minor: IV. Gigue en rondeau II | Jean-Philippe Rameau, Gilbert Rowland | D♭ Minor | 4 | 12A | 108 BPM |
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