"Violin Sonata in G Major, Op. 27 No. 5: I. L'aurore (Lento assai)" by Eugène Ysaÿe, Leonidas Kavakos was released on December 1, 1999. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Ysaÿe: 6 Sonatas for Solo Violin, Op. 27 by Eugène Ysaÿe, Leonidas Kavakos. The song's track number on the album is #13 out of 15 tracks. Based on our data, Sweden was the country where this track was produced or recorded. In terms of popularity, Violin Sonata in G Major, Op. 27 No. 5: I. L'aurore (Lento assai) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Violin Sonata in G Major, Op. 27 No. 5: I. L'aurore (Lento assai) by Eugène Ysaÿe, Leonidas Kavakos has a tempo of 115 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Violin Sonata in G Major, Op. 27 No. 5: I. L'aurore (Lento assai) being at 115 BPM, the half-time would be 58 BPM with a double-time of 230 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata No. 5 in G Major, Op. 27: I. L’Aurore | Eugène Ysaÿe, Carolin Widmann | D Major | 1 | 10B | 108 BPM | ||
Glazunov: Elegia, Op. 44 | Alexander Glazunov, Gérard Caussé | E♭ Major | 1 | 5B | 89 BPM | ||
String Quartet No. 12 in F Major, Op. 96, B. 179 "American": I. Allegro ma non troppo | Antonín Dvořák, Pavel Haas Quartet | F Major | 1 | 7B | 111 BPM | ||
Violin Concerto No. 2 in D minor Op. 22 (1985 Digital Remaster): III. Allegro con fuoco - Allegro moderato (à la Zingara) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | D Major | 2 | 10B | 74 BPM | ||
9 Studies: No. 1. Allegro agitato | Charles-Auguste de Bériot, Bella Hristova | G Major | 1 | 9B | 129 BPM | ||
Tartini / Arr. Kreisler: Violin Sonata in G Minor "Devil's Trill": I. Larghetto affetuoso | Giuseppe Tartini, David Oistrakh, Vladimir Yampolsky | G Minor | 1 | 6A | 103 BPM | ||
Violin Sonata No. 3 in C Minor, Op. 45: I. Allegro molto ed appassionato | Edvard Grieg, Frederic Chiu, Pierre Amoyal | C Major | 0 | 8B | 102 BPM | ||
Cello Sonata No. 1 in E Minor, Op. 38: II. Allegretto quasi minuetto | Johannes Brahms, Mischa Maisky, Pavel Gililov | G Major | 0 | 9B | 72 BPM | ||
Carmen Fantasy, Op. 25: II. Lento assai | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | B♭ Major | 8 | 6B | 140 BPM | ||
Sonata No. 1 in G Minor, Op. 27 No. 1: II. Fugato: molto moderato | Eugène Ysaÿe, James Ehnes | C Minor | 1 | 5A | 55 BPM |
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