"Violin Concerto No. 1 in A Minor, Op. 99 (Op. 77): III. Passacaglia. Andante" by Dmitri Shostakovich, Sergey Khachatryan, Orchestre National De France, Kurt Masur was released on October 31, 2006. Violin Concerto No. 1 in A Minor, Op. 99 (Op. 77): III. Passacaglia. Andante appears to be safe for all ages as it is not explicit. There are a total of 7 in the song's album "Shostakovich: Violin Concertos". In this album, this song's track order is #3. Furthermore, we believe that the track originated from France. In terms of popularity, Violin Concerto No. 1 in A Minor, Op. 99 (Op. 77): III. Passacaglia. Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto No. 1 in A Minor, Op. 99 (Op. 77): III. Passacaglia. Andante by Dmitri Shostakovich, Sergey Khachatryan, Orchestre National De France, Kurt Masur having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto, Op. 36: 2. Andante grazioso | Arnold Schoenberg, Hilary Hahn, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen | D Minor | 1 | 7A | 103 BPM | ||
Suite pastorale: IV. Scherzo-Valse | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 161 BPM | ||
Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
Scherzo In C Minor For Violin & Piano (From The FAE-Sonata) | Johannes Brahms, Leonidas Kavakos, Yuja Wang | C Major | 2 | 8B | 59 BPM | ||
Variation 2: Poco agitato | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | F Major | 1 | 7B | 176 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
The Unforgettable Year 1919 Suite, Op. 89a: The Assault On The Red Hill, "Assault On Beautiful Gorky" | Lev Atovmyan, Ellena Alekseyeva, Moscow Symphony Orchestra, Dmitri Shostakovich | F Major | 2 | 7B | 103 BPM | ||
Violin Concerto, Op. 48: II. Andante cantabile | Dmitry Kabalevsky, Neeme Järvi, Royal Scottish National Orchestra, Lydia Mordkovitch | A♭ Minor | 0 | 1A | 73 BPM | ||
Desplat: Lust, Caution | Alexandre Desplat, Emmanuel Pahud, Orchestre National De France | F Minor | 1 | 4A | 167 BPM | ||
Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: I. Andante con moto | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | A Major | 0 | 11B | 157 BPM |
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