"Everything That Ever Was" by Sarah Kirkland Snider, Will Liverman, Jonathan King, Renée Fleming was released on March 8, 2024. Since Everything That Ever Was is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 18 in the song's album "Show Me The Way". In this album, this song's track order is #17. Everything That Ever Was is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Everything That Ever Was by Sarah Kirkland Snider, Will Liverman, Jonathan King, Renée Fleming having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wiener Bonbons, Walzer, Op. 307 | Johann Strauss II, Christian Thielemann, Wiener Philharmoniker | N/A | N/A | N/A | 0 BPM | ||
Kujawiak | Mieczysław Weinberg, Gidon Kremer, Andrei Pushkarev, Kremerata Baltica | A Minor | 1 | 8A | 95 BPM | ||
Pray “Psalm 23” | Yohan Susilo | A♭ Major | 2 | 4B | 79 BPM | ||
Reves | David Abramovitz, Claire Brua, Maurice Ravel | G Minor | 0 | 6A | 89 BPM | ||
Le charme Op. 2 N°2 | Ernest Chausson, Susan Manoff, Sandrine Piau | G Major | 0 | 9B | 93 BPM | ||
Beethoven: Mass in C Major, Op. 86: I. Kyrie (Andante con moto assai vivace) | Ludwig van Beethoven, Sir Thomas Beecham, Royal Philharmonic Orchestra | E♭ Major | 1 | 5B | 116 BPM | ||
Here There Be Mermaids | Mars Smith, Daniela Mars, Paul Smith, Lyyra | B Minor | 0 | 10A | 65 BPM | ||
4 Motets pour un temps de pénitence, FP 97: No. 2, Vinea mea electa | Francis Poulenc, The Choir Of Trinity College, Cambridge, Stephen Layton | F♯ Major | 2 | 2B | 132 BPM | ||
Sept mélodies, Op. 2: II. Le charme | Ernest Chausson, Véronique Gens, Susan Manoff | F Major | 1 | 7B | 118 BPM | ||
12 Études, Op. 10: No. 6 in E-Flat Minor "Lament" | Frédéric Chopin, Yunchan Lim | A♭ Major | 2 | 4B | 75 BPM |
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