"Nothern Nights, Op. 14: II. Swan" by Jaroslav Kricka, Konstantin Balmont, Richard Novak, František Jílek, Filharmonie Brno was released on October 21, 2016. The duration of Nothern Nights, Op. 14: II. Swan is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Nothern Nights, Op. 14: II. Swan's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 37 in the song's album "Portrait". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Czechia. Nothern Nights, Op. 14: II. Swan is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nothern Nights, Op. 14: II. Swan by Jaroslav Kricka, Konstantin Balmont, Richard Novak, František Jílek, Filharmonie Brno having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Píseň o dobrém knížeti Václavu | Jaroslav Kricka, Prague Philharmonic Choir, Josef Veselka | A♭ Major | 0 | 4B | 124 BPM | ||
Let Me Go | Two Feet | F♯ Minor | 8 | 11A | 202 BPM | ||
Tannhäuser / Act 3: Wie Todesahnung... O du mein holder Abendstern (Wolfram) | Richard Wagner, Bryn Terfel, Metropolitan Opera Orchestra, James Levine | C Major | 3 | 8B | 99 BPM | ||
Petite messe solennelle: Gloria: Petite messe solennelle: Gloria: V. Qui tollis | Gioachino Rossini, Birgit Remmert, Marcus Creed, Hanno Müller-Brachmann, RIAS Kammerchor, Steve Davislim, Krassimira Stoyanova | B♭ Minor | 1 | 3A | 79 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | ||
Hear My Prayer (Da ispravitsya molitva moya) | Pavel Chesnokov, Dmitri Hvorostovsky, Masters of Choral Singing, Lev Kontorovich | B Minor | 1 | 10A | 79 BPM | ||
Prodana nevesta (The Bartered Bride), Act I: Proc bychom se netesili | Bedřich Smetana, Romana Pávková, Thomas Badura, Czech Philharmonic Choir, Brno, Czech Chamber Orchestra, Petr Fiala | G Major | 2 | 9B | 78 BPM | ||
Songs on One Page, H. 294: No. 3, Cesta k milé | Bohuslav Martinů, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | A Minor | 0 | 8A | 93 BPM | ||
Amazing Grace (Arr. for Treble and Harp) | Traditional, Malakai, Cecily Beer | G Major | 0 | 9B | 82 BPM | ||
Requiem, Op. 48: 4. Pie Jesu | Gabriel Fauré, Cheryl Studer, London Symphony Orchestra, Ion Marin | B♭ Major | 0 | 6B | 82 BPM |
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