Wolfgang Amadeus Mozart, Beaux Arts Trio's 'Piano Trio in G, K.564: 1. Allegro' came out on January 1, 2005. With this song being about 5 minutes long, at 5:14, "Piano Trio in G, K.564: 1. Allegro" by Wolfgang Amadeus Mozart, Beaux Arts Trio is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wolfgang Amadeus Mozart, Beaux Arts Trio's "Mozart: Quintets, Quartets, Trios etc (Complete Mozart Edition)" album is number 4 out of 21. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Piano Trio in G, K.564: 1. Allegro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Trio in G, K.564: 1. Allegro by Wolfgang Amadeus Mozart, Beaux Arts Trio to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 1 | 6A | 113 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
Symphony No. 101 In D Major, Hob.I:101 - "The Clock": 2. Andante | Joseph Haydn, Chamber Orchestra of Europe, Claudio Abbado | D♭ Major | 0 | 3B | 74 BPM | ||
Mendelssohn: 6 Lieder ohne Worte, Book 6, Op. 67: II. Allegro leggiero | Felix Mendelssohn, Leif Ove Andsnes | F♯ Minor | 1 | 11A | 182 BPM | ||
Concerto No. 1 in B-Flat Major, K. 207: III. Presto | Wolfgang Amadeus Mozart, Francesca Dego, Royal Scottish National Orchestra, Sir Roger Norrington | F♯ Minor | 1 | 11A | 88 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Le Carnaval des Animaux: Finale | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | D Minor | 3 | 7A | 101 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
Der Stein der Weisen, Act I: Chorus and Solo. Seht doch! Mit gold'nem Geweih | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Kevin Deas | E♭ Major | 2 | 5B | 77 BPM | ||
6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: II. Romanza: Larghetto | Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze | B♭ Major | 0 | 6B | 83 BPM |
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