ハダメス・ニャタリ, 宮田 大, Yasuji Ohagi's 'チェロとギターのためのソナタ III. Con Spirito' came out on December 23, 2020. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Travelogue". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Japan. In terms of popularity, チェロとギターのためのソナタ III. Con Spirito is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With チェロとギターのためのソナタ III. Con Spirito by ハダメス・ニャタリ, 宮田 大, Yasuji Ohagi having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder Ohne Worte, Fünftes Heft, Op. 62 (Arr. for Violin and Piano by Ferdinand David): I. Andante espressivo | Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim | D Major | 1 | 10B | 143 BPM | ||
亡き王女のためのパヴァーヌ | Maurice Ravel, 宮田 大, Yasuji Ohagi | E Major | 2 | 12B | 166 BPM | ||
Dark Sonata | Michael Raven | G Major | 0 | 9B | 136 BPM | ||
Melody - From "The High Pass" | Fulvia Mancini, Jonathan Floril | A Minor | 2 | 8A | 165 BPM | ||
Seriões (Modinha) Andante - From "Cenas Brasileiras" | Isias Savio, Kaare Norge | A Minor | 1 | 8A | 96 BPM | ||
Kinderszenen, Op. 15 (transcribed for cello and piano by Thedéen & Shirinyan): No. 7 Träumerei | Robert Schumann, Marianna Shirinyan, Torleif Thedéen | G Minor | 4 | 6A | 148 BPM | ||
Piano Trio in A Major, Posth.: II. Vivace | Johannes Brahms, Paolo Ghidoni, Marco Perini, Ruggero Ruocco | A Major | 2 | 11B | 109 BPM | ||
微笑みの生まれる場所 ~黄昏時のあなた~ | Shinya Kiyozuka, Hideakira Kimura | E Major | 2 | 12B | 85 BPM | ||
Todo Início Carrega um Pouco do Fim | Anabel Santana, João Marcondes, Sonoras | B Major | 0 | 1B | 87 BPM | ||
Sonate e Partite: No. 11, Presto (Recomposed by Luca Astolfoni Fossi) | Francesco Lecce, Claudio Ferrarini | G Major | 1 | 9B | 73 BPM |
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