La Niña de los Peines made "Bulerías No. 2: El Tomillo (Yo Sembré un Tomillo) [with Luis Molina]" available on January 1, 2004. The duration of Bulerías No. 2: El Tomillo (Yo Sembré un Tomillo) [with Luis Molina] is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Bulerías No. 2: El Tomillo (Yo Sembré un Tomillo) [with Luis Molina]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Registros Sonoros, Vol. 3/13". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Spain. Based on our statistics, Bulerías No. 2: El Tomillo (Yo Sembré un Tomillo) [with Luis Molina]'s popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Bulerías No. 2: El Tomillo (Yo Sembré un Tomillo) [with Luis Molina] by La Niña de los Peines having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Retablo de Andalucía, Parte 6 | Manolo Vargas, Manolo el Sevillano | D Major | 4 | 10B | 182 BPM | ||
De Pare También Lo Soy / Yo Vengo a Que Me Perdonen | Chiquito De Triana, Esteban De Sanlucar | D♭ Major | 2 | 3B | 80 BPM | ||
Para Conmigo Casarte | José Muñoz Martín, Niño Ricardo | A Major | 3 | 11B | 132 BPM | ||
Soleares de la Serneta: Soy Piedra y Perdí Mi Centro (with Melchor de Marchena) | La Niña de los Peines, Melchor De Marchena | A♭ Minor | 3 | 1A | 80 BPM | ||
Dos Vereitas Iguales (Soleares) [feat. Manuel Moreno] | Terremoto De Jerez, Manuel Moreno | E♭ Minor | 3 | 2A | 140 BPM | ||
Cada día está peor - Bulerías | Pansequito | E♭ Major | 3 | 5B | 132 BPM | ||
Blanca Niña | Romero Sanjuan | B Minor | 3 | 10A | 143 BPM | ||
Con Salero y Mercancía - Remastered | Rosarito García, Paquito Simón | D Major | 3 | 10B | 131 BPM | ||
Deja Que Pasen Tres Días: Bulerías | Manolo Vargas | G Major | 2 | 9B | 131 BPM | ||
Adelfa - Remastered | Carmen Amaya, José Amaya, Paco Amaya | E♭ Major | 1 | 5B | 77 BPM |
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