"Ave Maria" by Johannes Brassart, Capilla Flamenca, Dirk Snellings was released on 2002. The duration of Ave Maria is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Ave Maria's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 18 in De Lantins: Missa verbum incarnatum by Capilla Flamenca. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. In terms of popularity, Ave Maria is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ave Maria by Johannes Brassart, Capilla Flamenca, Dirk Snellings is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cantigas de Santa Maria, No. 60: Entre Av'e Eva | Alfonso X El Sabio, Esther Lamandier | F Major | 1 | 7B | 84 BPM | ||
Terpsichore (arr. H. Baumer): Courante | Michael Praetorius, Hermann Bäumer, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Major | 3 | 9B | 111 BPM | ||
Requiem [in memoriam Josquin Desprez] à 6 voix: III. Graduale - Si ambulem | Jean Richafort, Huelgas Ensemble | A Minor | 2 | 8A | 81 BPM | ||
Thy Resurrection-(authentic Kiev chant) | authentic Kiev chant, Monks Choir of Kiev Pechersk Monastery | D♭ Minor | 3 | 12A | 106 BPM | ||
O quanta qualia | Peter Abelard, Augsburg Early Music Ensemble | A Major | 0 | 11B | 69 BPM | ||
Bonjour, mon cœur | Orlande de Lassus, Amarcord | A Minor | 2 | 8A | 137 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: III. Come, Let Us Worship | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
Bells of the Novodevichy Convent | The Choir of the Dormition Church of the Novodevichy Convent | E Major | 1 | 12B | 97 BPM | ||
Saltarello No. 1 | Unicorn Ensemble | E Minor | 2 | 9A | 80 BPM | ||
Carmina Burana: Veris leta facies | Carl Orff, Claire Rutter, Thomas Randle, Markus Eiche, Mary Denniss, Andrew Knights, Greg Beardsell, Bournemouth Symphony Chorus, Highcliffe Junior Choir, Bournemouth Symphony Youth Chorus, Bournemouth Symphony Orchestra, Marin Alsop | F Major | 2 | 7B | 127 BPM |
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