"Symphony No. 4, Op. 90, "Italian": I. Allegro vivace" by Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi was released on March 15, 2024. Symphony No. 4, Op. 90, "Italian": I. Allegro vivace appears to be safe for all ages as it is not explicit. The track order of this song in Felix Mendelssohn, Paavo Järvi, Tonhalle-Orchester Zürich's "Mendelssohn: Symphonies" album is number 5 out of 36. On top of that, France appears to be the country where this track was created. Symphony No. 4, Op. 90, "Italian": I. Allegro vivace is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 4, Op. 90, "Italian": I. Allegro vivace by Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trombone Concertino in E-flat Major, Op. 4: I. Allegro maestoso V | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | C Minor | 4 | 5A | 126 BPM | ||
Oboe Concerto in D Major, TrV 292: I. Allegro moderato | Richard Strauss, Copenhagen Philharmonic Orchestra, Toshiyuki Kamioka | D Major | 1 | 10B | 77 BPM | ||
Oboe Sonata, Op. 166: III. Molto allegro | Camille Saint-Saëns, Heinz Holliger, Anton Kernjak | E♭ Major | 0 | 5B | 66 BPM | ||
Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": I. Lebhaft | Robert Schumann, Antwerp Symphony Orchestra, Philippe Herreweghe | E♭ Major | 2 | 5B | 121 BPM | ||
String Quartet No. 12 in F Major, Op. 96, B. 179 "American": III. Molto vivace (Scored for String Orchestra) | Antonín Dvořák, Charles Rosekrans, Royal Philharmonic Orchestra | F Major | 2 | 7B | 73 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 2, Wanderlied | Bedřich Smetana, Jitka Čechová | A Major | 1 | 11B | 146 BPM | ||
Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Janine Jansen, Oslo Philharmonic Orchestra, Klaus Mäkelä | G Major | 2 | 9B | 90 BPM | ||
Serenade: I. Phaedrus. Pausanias. Lento and Allegro | Leonard Bernstein, James Ehnes, St. Louis Symphony, Stéphane Denève | G Major | 2 | 9B | 83 BPM | ||
Armida: Overture | Gioachino Rossini, Donato Renzetti, Orchestra Filarmonica Gioachino Rossini | D Major | 1 | 10B | 81 BPM | ||
Tristan und Isolde, WWV 90: I, AUFZUG 1: Vorspiel - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | E Major | 2 | 12B | 133 BPM |
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