"Der Opernball. Overture: Im Chambre Separée" by Richard Heuberger, Josef Sakonov, London Festival Orchestra was released on January 1, 1972. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Violinissimo: Great Violin Encores by Erich Gruenberg, Josef Sakonov. The song's track number on the album is #6 out of 23 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Der Opernball. Overture: Im Chambre Separée is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Der Opernball. Overture: Im Chambre Separée by Richard Heuberger, Josef Sakonov, London Festival Orchestra has a tempo of 106 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Der Opernball. Overture: Im Chambre Separée being at 106 BPM, the half-time would be 53 BPM with a double-time of 212 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prélude | Maurice Ravel, André Laplante | D Minor | 0 | 7A | 66 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | ||
2 Melodies, Op. 3: Melody No. 1 in F Major | Anton Rubinstein, Joseph Banowetz | F Major | 0 | 7B | 68 BPM | ||
Night On Bald Mountain | Modest Mussorgsky, London Festival Orchestra, Alfred Scholz | D Major | 2 | 10B | 116 BPM | ||
The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, Lorin Maazel, L'Orchestre National de France, Orchestre National De France | A♭ Major | 0 | 4B | 139 BPM | ||
Camille Saint-Saens -The Swan | Camille Saint-Saëns, Laurel Zucker and Sara Cutler | C Major | 1 | 8B | 70 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Preliudai (Preludes): Dainele: Grave | Mikalojus Konstantinas Čiurlionis, Slovak Philharmonic, Juozas Domarkas | E Minor | 0 | 9A | 82 BPM | ||
There Is a Redeemer | Linda McKechnie, London Festival Orchestra | D♭ Major | 3 | 3B | 78 BPM | ||
Raymonda, Op. 57: Act II - Variation I | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D♭ Major | 0 | 3B | 83 BPM |
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