Rolf Schweizer made "Die Flötenuhr, 1792: III. Allegro moderato" available on 1991. With Die Flötenuhr, 1792: III. Allegro moderato being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Slovak Philharmonic, Caspar Da Salo Quartet's "Music For The Millions Vol. 37 - Joseph Haydn" album is number 7 out of 23. Die Flötenuhr, 1792: III. Allegro moderato is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Die Flötenuhr, 1792: III. Allegro moderato by Rolf Schweizer to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Er heißet Wunderbar, Rat, Kraft, Held, FR 408/1: IV. Choral (Tutti) | Johann Friedrich Fasch, Benjamin Schmolck, Berit Norbakken Solset, Marianne Beate Kielland, Anders J. Dahlin, Halvor Festervoll Melien, Alfredo Bernardini, Barokkanerne | F♯ Minor | 1 | 11A | 126 BPM | ||
Elijah, Op. 70, MWV A 25 (Excerpts): No. 31, Sei stille dem Herrn | Felix Mendelssohn, Ema Nikolovska, Munich Radio Orchestra, Bavarian Radio Chorus, Howard Arman | D Major | 2 | 10B | 97 BPM | ||
Mass No. 6 in E-Flat Major, D. 950: Vb. Benedictus. Osanna in excelsis | Franz Schubert, Cleveland Orchestra, Franz Welser-Möst, Cleveland Orchestra Chorus | C Minor | 1 | 5A | 84 BPM | ||
Slow Minuet in A | Robin Milford, Andrew Seivewright | A Major | 0 | 11B | 78 BPM | ||
Missa Solemnis: II. Gloria in excelsis Deo | Leopold Mozart, Bayerische Kammerphilharmonie, Alessandro De Marchi, Das Vokalprojekt | C Major | 2 | 8B | 102 BPM | ||
Missa in D-Dur, KV194: Sanctus | Chor und Orchester von St. Augustin, Alexander Kaimbacher, Andreas Pixner, Martina Steffl, Cornelia Horak, Klemens Sander | D Major | 2 | 10B | 114 BPM | ||
Missa Divi Xaverii, ZWV 12: Christe eleison | Jan Dismas Zelenka, Hana Blaziková, Collegium 1704, Vaclav Luks | F♯ Minor | 3 | 11A | 171 BPM | ||
Gelobet sei der Herr, TWV 1:602/1216: Singt gegeneinander | Georg Philipp Telemann, Kölner Akademie, Michael Alexander Willens | D♭ Major | 2 | 3B | 121 BPM | ||
Der Herr ist mein getreuer Hirt, P81 | Johann Pachelbel, Matthew Owens | A Major | 2 | 11B | 113 BPM | ||
Görlitzer Tabulaturbuch: Gelobet seist du, Jesu Christ, SSWV 442a | Samuel Scheidt, Christoph Lehmann | A Major | 0 | 11B | 67 BPM |
Section: 0.6554858684539795
End: 0.65972900390625