Nahid Niazi's 'Naqsh Ulfat Mita Ke (From "Naghma-e-Dil")' came out on June 3, 1905. The duration of Naqsh Ulfat Mita Ke (From "Naghma-e-Dil") is about 3 minutes long, at 3:07. Based on our data, "Naqsh Ulfat Mita Ke (From "Naghma-e-Dil")" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Various Artists's "Great Movies of Yesterday Naghma-e-Dil / Mehboob" album is number 4 out of 19. Naqsh Ulfat Mita Ke (From "Naghma-e-Dil") is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Naqsh Ulfat Mita Ke (From "Naghma-e-Dil") by Nahid Niazi to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pahadko Mathi Mathi | Narayan Gopal, Asha Bhosle | B♭ Major | 4 | 6B | 79 BPM | ||
Tumi Nirmal Karo | Haimanti Sukla | A Major | 2 | 11B | 125 BPM | ||
Ae Dil Kisi Ki Yaad Mein | Naseem Begum | B♭ Major | 2 | 6B | 80 BPM | ||
Sun Pagalna Bhanda | Ram Krishna Dhakal | F Major | 6 | 7B | 80 BPM | ||
Ami Jani Na | Asha Bhosle, Abhijeet, R. D. Burman | F♯ Minor | 10 | 11A | 75 BPM | ||
Mohe pya milan ko jane de beranya teri binti karoon main tere aaon parron | Nahid Niazi | F Minor | 4 | 4A | 89 BPM | ||
Kuhoo Kuhoo Kolilamma | K. S. Chithra | C Minor | 8 | 5A | 152 BPM | ||
Sayyan ji ko dhundnay chali | Nahid Niazi | A♭ Major | 2 | 4B | 101 BPM | ||
Deya Neya Mon Tomar Sathe | R. D. Burman, Asha Bhosle | F♯ Major | 6 | 2B | 153 BPM | ||
Ebar Tahole Ami Jai | Mohd. Rafi | G Major | 3 | 9B | 137 BPM |
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