Duo, Op. 62: I. Prelude
Max Georg Baumann, Michael Kevin Jones, Agustín Maruri
Original Music for Cello and Guitar
1:44 July 3, 2012
BPM
91
Key
D Minor
Camelot
7A

Embed

Share Link

Duo, Op. 62: I. Prelude - Max Georg Baumann, Michael Kevin Jones, Agustín Maruri Information

Acousticness
94%
Danceability
36%
Energy
10%
Instrumentalness
89%
Liveness
14%
Loudness
68%
Speechiness
3%
Valence
5%
Popularity
Loudness
-19.271 dB

Summary

"Duo, Op. 62: I. Prelude" by Max Georg Baumann, Michael Kevin Jones, Agustín Maruri was released on July 3, 2012. With Duo, Op. 62: I. Prelude being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Original Music for Cello and Guitar". In this album, this song's track order is #4. In terms of popularity, Duo, Op. 62: I. Prelude is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Duo, Op. 62: I. Prelude BPM

With Duo, Op. 62: I. Prelude by Max Georg Baumann, Michael Kevin Jones, Agustín Maruri having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Duo, Op. 62: I. Prelude Key

This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
3 Nocturnes: No. 3 in C Major by Franz Burgmüller, Michael Kevin Jones, Agustín Maruri3 Nocturnes: No. 3 in C MajorFranz Burgmüller, Michael Kevin Jones, Agustín MaruriC Major18B115 BPM
Noche en Palma by Gerardo NuñezNoche en PalmaGerardo NuñezA Minor18A132 BPM
Poem No. 4 by Andrew YorkPoem No. 4Andrew YorkD Minor27A135 BPM
12 Studies, W235, A235: No. 2, Allegro by Heitor Villa-Lobos, Sean Shibe12 Studies, W235, A235: No. 2, AllegroHeitor Villa-Lobos, Sean ShibeA Major111B132 BPM
Adagio in G Minor by Tomaso Albinoni, JulyoAdagio in G MinorTomaso Albinoni, JulyoD Minor07A110 BPM
Haunted by Ralph Towner, Letizia CarrieroHauntedRalph Towner, Letizia CarrieroA Minor18A75 BPM
Siete Canciones populares Españolas: No. 6, Canción by Manuel de Falla, Paco Peña, Eliot FiskSiete Canciones populares Españolas: No. 6, CanciónManuel de Falla, Paco Peña, Eliot FiskG Major29B182 BPM
Angostura by Yamandu Costa, Elodie BounyAngosturaYamandu Costa, Elodie BounyE Minor49A95 BPM
Bach Partita No 3 by Belize EnsembleBach Partita No 3Belize EnsembleD Major210B93 BPM
Mujeres del mercado bailando no. 2 by Alejandro Pablo-Álvaro Sanches-GarcíaMujeres del mercado bailando no. 2Alejandro Pablo-Álvaro Sanches-GarcíaG Minor46A134 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.5011637210845947

End: 0.5059094429016113