Johann Sebastian Bach, Freiburger Barockorchester made "Suite No. 2 in B Minor, BWV 1067: Suite No. 2 in B Minor, BWV 1067: I. Ouverture" available on November 8, 2011. Suite No. 2 in B Minor, BWV 1067: Suite No. 2 in B Minor, BWV 1067: I. Ouverture appears to be safe for all ages as it is not explicit. The song is number 6 out of 24 in Bach: Orchestral Suites by Johann Sebastian Bach, Freiburger Barockorchester. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Suite No. 2 in B Minor, BWV 1067: Suite No. 2 in B Minor, BWV 1067: I. Ouverture is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Suite No. 2 in B Minor, BWV 1067: Suite No. 2 in B Minor, BWV 1067: I. Ouverture by Johann Sebastian Bach, Freiburger Barockorchester is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Telemann: Concerto for Flute, Oboe d'amore and Viola d'amore in E Major, TWV 53:E1: I. Andante | Georg Philipp Telemann, Emmanuel Pahud, Albrecht Mayer, Berliner Barock Solisten, Wolfram Christ, Rainer Kussmaul | D♭ Minor | 2 | 12A | 180 BPM | ||
Overture (Suite) for Orchestra in G minor, FWV k: G3: Air | Johann Friedrich Fasch, Kammerorchester Basel | F♯ Minor | 1 | 11A | 36 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Trio Sonata in C Minor, BWV 526: I. Vivace | Johann Sebastian Bach, The Brook Street Band | B Minor | 2 | 10A | 106 BPM | ||
Sinfonia in E major, RV 132: II. Andante | Karoly Botvay | A Major | 0 | 11B | 79 BPM | ||
Cello Concerto In C Major, Hob.VIIb:1: 3. Finale (Allegro molto) | Joseph Haydn, Christophe Coin, Academy of Ancient Music, Christopher Hogwood | B♭ Major | 4 | 6B | 96 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 9: I. Allegro | Pietro Locatelli, Capella Istropolitana | D Major | 3 | 10B | 136 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
12 Concertos, Op. 3 "L'estro armonico" / Concerto No. 11 in D Minor for 2 Violins and Cello, RV 565: 3. Allegro | Antonio Vivaldi, John Holloway, Catherine Mackintosh, Susan Sheppard, Academy of Ancient Music, Christopher Hogwood | D♭ Minor | 3 | 12A | 129 BPM |
Section: 0.6639838218688965
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