"3 Chorale-Based Piecelets, S. III: No. 1, Chorale "Orally"" by P.D.Q.Bach, Peter Schickele was released on August 1, 1995. The duration of 3 Chorale-Based Piecelets, S. III: No. 1, Chorale "Orally" is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. 3 Chorale-Based Piecelets, S. III: No. 1, Chorale "Orally"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "PDQ Bach: The Short-Tempered Clavier and Other Dysfunctional Works for Keyboard". In this album, this song's track order is #26. Furthermore, we believe that the track originated from United States. In terms of popularity, 3 Chorale-Based Piecelets, S. III: No. 1, Chorale "Orally" is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 3 Chorale-Based Piecelets, S. III: No. 1, Chorale "Orally" by P.D.Q.Bach, Peter Schickele having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String of Pearls | The Royal Wind Music | E♭ Minor | 0 | 2A | 96 BPM | ||
"Dutch" Suite, S. -16: I. Mr. Minuit's Minuet | P.D.Q.Bach, David McGill, Ronald Bishop | G Major | 0 | 9B | 189 BPM | ||
Point of Tranquility: III. Maestoso | Kenneth Fuchs, Sinfonia Of London, John Wilson | B♭ Major | 5 | 6B | 129 BPM | ||
5 Pezzi facili: No. 5. Il soldatino | Nino Rota, Mario Carbotta, Carlo Balzaretti | G Major | 2 | 9B | 101 BPM | ||
6 Sonatas, ZWV 81, No. 4 in G Minor: III. Adagio | Jan Dismas Zelenka, Stefan Schilli, François Leleux, Marco Postinghel, Philippe Malfeyt, Beatrice Martin, Heinrich Braun | G Minor | 2 | 6A | 116 BPM | ||
Trombone Concerto No. 12, Op. 52: Allegro moderato - | Vagn Holmboe, Jesper Juul Sorensen, Danish National Symphony Orchestra, Henrik Vagn Christensen | E Minor | 1 | 9A | 76 BPM | ||
Concerto in E-Fat Major, Hob. Vlle: 1: II. Andante | Joseph Haydn, Rex Richardson, Classic FM Radio Orchestra, Grigor Palikarov | G Major | 1 | 9B | 125 BPM | ||
Petite Suite: I. En bateau. Andantino (Arr. For Woodwind Quintet by Gordon Davies) | Claude Debussy, ARUNDOSquintett | A♭ Major | 1 | 4B | 73 BPM | ||
25 Études faciles et progressives, Op. 100: No. 23, Retour | Franz Burgmüller, The Gerst Ensemble | B♭ Major | 0 | 6B | 63 BPM | ||
Consolation | Christian Lindberg, Símon Bolívar Symphony Orchestra | B♭ Major | 8 | 6B | 133 BPM |
Section: 0.8054356575012207
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