Johann Sebastian Bach, Glenn Gould's 'Partita No. 5 in G Major, BWV 829: IV. Sarabande' came out on 1957. The duration of Partita No. 5 in G Major, BWV 829: IV. Sarabande is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Partita No. 5 in G Major, BWV 829: IV. Sarabande's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Glenn Gould's "Glenn Gould plays Bach: 6 Partitas BWV 825-830; Chromatic Fantasy BWV 903; Italian Concerto BWV 971; The Art of the Fugue BWV 1080 (excerpts); Preludes, Fugues & Fantasies" album is number 4 out of 90. Partita No. 5 in G Major, BWV 829: IV. Sarabande is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Partita No. 5 in G Major, BWV 829: IV. Sarabande by Johann Sebastian Bach, Glenn Gould to be Larghetto (rather broadly) because the track has a tempo of 64 BPM, a half-time of 32BPM, and a double-time of 128 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM | ||
Partita No. 5 in G Major, BWV 829: VI. Passepied | Johann Sebastian Bach, Glenn Gould | G Major | 4 | 9B | 97 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 3 | 7A | 101 BPM | ||
Concerto In F Major For Flute & Strings, Op.10, No.1, RV 433 - "La tempesta di mare": 3. Presto | Antonio Vivaldi, Lisa Beznosiuk, The English Concert, Trevor Pinnock | E Major | 2 | 12B | 111 BPM | ||
3 Klavierstücke, Op. 11: No. 1, Mäßige Viertel | Arnold Schoenberg, Glenn Gould | A♭ Major | 0 | 4B | 79 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
15 Inventionen: No. 1 in C Major, BWV 772 | Inge Rosar | F♯ Minor | 1 | 11A | 108 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 15 in G major, BWV 860 | Luc Beauséjour | F♯ Major | 5 | 2B | 86 BPM | ||
イタリア風協奏曲 ヘ長調/第1楽章(『リプリー』より) | アンドラーシュ・シフ | F Major | 2 | 7B | 99 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM |
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