"12 Studies, Op. 29: No. 18 in E Minor" by Fernando Sor, Jeffrey McFadden was released on December 6, 1996. The duration of 12 Studies, Op. 29: No. 18 in E Minor is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. 12 Studies, Op. 29: No. 18 in E Minor's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Sor: Introduction and Variations Opp. 26-28 / Etudes Op. 29". In this album, this song's track order is #9. 12 Studies, Op. 29: No. 18 in E Minor is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 12 Studies, Op. 29: No. 18 in E Minor by Fernando Sor, Jeffrey McFadden having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Promessa - Waltz (Paschoito) | Dilermando Reis, Ricardo Cobo | E Major | 0 | 12B | 127 BPM | ||
Preludes, Book 1: No. 8. La fille aux cheveux de lin (arr. for guitar) | Claude Debussy, Paul Galbraith | G Major | 0 | 9B | 92 BPM | ||
Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Prelude No. 4 in E Major | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | E Major | 1 | 12B | 88 BPM | ||
Tango Angelita | Celedonio Romero, Vicente Coves | A Major | 1 | 11B | 97 BPM | ||
25 Etudes for Guitar, Op. 38: Etude No. 1 in A Minor | Napoléon Coste, Flavio Apro | A Minor | 2 | 8A | 84 BPM | ||
Abdelazar Suite, Z. 570: II. Rondo (arr. B. Kanengiser) | Henry Purcell, Bill Kanengiser, Los Angeles Guitar Quartet | D Minor | 1 | 7A | 92 BPM | ||
Ständchen, D. 957 | Franz Schubert, Thibault Cauvin | A Major | 1 | 11B | 131 BPM | ||
Castillos de Espana II: Torija (Elegia) | Federico Moreno Torroba, Pablo Sainz Villegas | D Major | 0 | 10B | 100 BPM | ||
Dance of the Orient | Mark Houghton, Xuefei Yang | D Major | 1 | 10B | 99 BPM | ||
3 Piezas Rioplatenses: Rojo y negro | Maximo Diego Pujol, Victor Villadangos | B Minor | 2 | 10A | 133 BPM |
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