Theodor Leschetizky, Tobias Bigger made "4 Piano Pieces, Op. 36: No. 4, La source" available on August 7, 2020. The duration of 4 Piano Pieces, Op. 36: No. 4, La source is about 3 minutes long, at 3:17. Based on our data, "4 Piano Pieces, Op. 36: No. 4, La source" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Theodor Leschetizky, Tobias Bigger's "Leschetizky: Piano Works" album is number 6 out of 14. On top of that, Sweden appears to be the country where this track was created. In terms of popularity, 4 Piano Pieces, Op. 36: No. 4, La source is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of 4 Piano Pieces, Op. 36: No. 4, La source by Theodor Leschetizky, Tobias Bigger to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schubert / Arr. Pontier: An die Musik, Op. 88 No. 4, D. 547 | Franz Schubert, Aurélien Pontier | F Minor | 0 | 4A | 72 BPM | ||
3 Pieces, Op. 45: No. 1, Feuillet D'album | Alexander Scriabin, Juan Francisco Otón | G Minor | 0 | 6A | 59 BPM | ||
Kinderszenen, Op. 15: XI. Fürchtenmachen | Robert Schumann, Angela Hewitt | E♭ Major | 1 | 5B | 81 BPM | ||
Come Thou Fount with Day by Day | Only God Choir | E♭ Major | 3 | 5B | 93 BPM | ||
Preludio de Sofía | José María Vitier, Carlos Manuel Vargas | A Major | 1 | 11B | 69 BPM | ||
Mazurka in B-Flat Major, Op. 32 | Gabriel Fauré, Lucas Debargue | C Major | 0 | 8B | 69 BPM | ||
2 Piano Pieces, Op. 38: No. 1, Menuetto capriccioso | Theodor Leschetizky, Tobias Bigger | A Major | 1 | 11B | 77 BPM | ||
Das Jahr, H-U 385: No. 7, Juli | Fanny Mendelssohn, Sophia Weidemann | D Minor | 1 | 7A | 64 BPM | ||
Toccata brisée | Christian Schittenhelm, Svetlana Andreeva | E♭ Major | 2 | 5B | 115 BPM | ||
Andante Finale for the Left Hand, Op. 13 (Paraphrase on Lucia di Lammermoor by Donizetti) | Theodor Leschetizky, Andrew Wright | D♭ Major | 1 | 3B | 71 BPM |
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