William Walton, Michael Sheen, Anton Lesser, RTE Concert Orchestra, Andrew Penny's 'Henry V (adapted by Christopher Palmer): VIII. Epilogue' came out on April 27, 1998. Henry V (adapted by Christopher Palmer): VIII. Epilogue is about six minutes long, preciously at 6:01, making this song fairly long compared to other songs. This song is part of Walton: Henry V by William Walton, Andrew Penny. The song's track number on the album is #9 out of 9 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Based on our statistics, Henry V (adapted by Christopher Palmer): VIII. Epilogue's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Henry V (adapted by Christopher Palmer): VIII. Epilogue by William Walton, Michael Sheen, Anton Lesser, RTE Concert Orchestra, Andrew Penny has a tempo of 127 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Henry V (adapted by Christopher Palmer): VIII. Epilogue being at 127 BPM, the half-time would be 64 BPM with a double-time of 254 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
The music key of this track is A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude in C Major, BWV 846 | Johann Sebastian Bach, Alistair McGowan | C Major | 1 | 8B | 122 BPM | ||
ダッタン人の踊り (歌劇 イーゴリ公より) 6 娘たちの流麗な踊り | Alexander Borodin, Ken-Ichiro Kobayashi, Arnhem Philharmonic Orchestra | A Major | 2 | 11B | 176 BPM | ||
Walton: Henry V: Touch Her Soft Lips and Part | William Walton, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 4 | 6B | 113 BPM | ||
Nocturne No. 7 in Eb Major, FP. 56 | Francis Poulenc, Belle Chen | F Minor | 1 | 4A | 76 BPM | ||
String Quartet No. 1 in D Major, Op. 11: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, New Haydn Quartet | B♭ Major | 0 | 6B | 89 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
The Girl with the Flaxen Hair | Hajime Mizoguchi | G Major | 1 | 9B | 83 BPM | ||
Three Piano Preludes: No. 2 | Frederick Delius, Eric Parkin | A Minor | 0 | 8A | 174 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM |
Section: 0.6388719081878662
End: 0.6459770202636719