"Symphony, No.9 in C Major, D. 944, "The Great": II. Andante Con Moto" by Istvan Kertesz, Wiener Philharmoniker was released on January 1, 2020. Symphony, No.9 in C Major, D. 944, "The Great": II. Andante Con Moto appears to be safe for all ages as it is not explicit. There are a total of 9 in the song's album "Schubert: Piano Quintet in A Major (The Trout) & Symphony, No. 9". In this album, this song's track order is #7. In terms of popularity, Symphony, No.9 in C Major, D. 944, "The Great": II. Andante Con Moto is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony, No.9 in C Major, D. 944, "The Great": II. Andante Con Moto by Istvan Kertesz, Wiener Philharmoniker having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Widerstehe doch der Sünde, BWV 54 (Transcr. by Víkingur Ólafsson) | Johann Sebastian Bach, Víkingur Ólafsson | E♭ Major | 1 | 5B | 82 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
Die Sommernacht, D. 289 - Arr. for Cello & Piano by Trey Lee | Franz Schubert, Trey Lee, Georgy Tchaidze | B♭ Major | 2 | 6B | 120 BPM | ||
Nocturne No.19 In E Minor, Op.72 No.1 | Frédéric Chopin, Maurizio Pollini | B Major | 0 | 1B | 139 BPM | ||
Melody in F Major, Op. 3, No. 1 | Anton Rubinstein, Philippe Entremont | F Major | 0 | 7B | 74 BPM | ||
Violin Concerto In D, Op.35, TH. 59: 2. Canzonetta (Andante) | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 103 BPM | ||
Valses nobles, D 969 (Op.77): Valse No.3 | Franz Schubert, Gil Shaham, Göran Söllscher | C Major | 1 | 8B | 82 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | F Major | 1 | 7B | 83 BPM |
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