Johann Sebastian Bach, Josef Suk made "Bach, JS: Violin Sonata No. 5 in F Minor, BWV 1018: IV. Vivace" available on 1969. The duration of Bach, JS: Violin Sonata No. 5 in F Minor, BWV 1018: IV. Vivace is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Bach, JS: Violin Sonata No. 5 in F Minor, BWV 1018: IV. Vivace's duration is considered a little bit shorter than the average duration of a typical track. The song is number 20 out of 25 in Bach, JS : Violin Sonatas Nos 1 - 6 [Complete] (Elatus) by Johann Sebastian Bach, Joseph Suk & Zuzana Ruzickova. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Bach, JS: Violin Sonata No. 5 in F Minor, BWV 1018: IV. Vivace is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Bach, JS: Violin Sonata No. 5 in F Minor, BWV 1018: IV. Vivace by Johann Sebastian Bach, Josef Suk is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax | Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 1 | 5B | 99 BPM | ||
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song" | Felix Mendelssohn, Daniel Barenboim | G Minor | 0 | 6A | 82 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Première Suite: Prélude | Jordi Savall, Ton Koopman, Ariane Maurette | F Major | 0 | 7B | 80 BPM | ||
Matthäuspassion, BWV 244: Kommt, ihr Tochter, helft mir klagen (Chorus I and II) | Johann Sebastian Bach, Knaben des Kölner Domchores, Dresdner Kammerchor, Kolner Kammerorchester, Helmut Muller-Bruhl | E Minor | 1 | 9A | 87 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Souvenir de Florence, Op. 70 | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Borodin Quartet, Genrikh Talalyan | D Minor | 3 | 7A | 136 BPM | ||
Musical Offering, BWV 1079: Canon 3. a 2 per Motum contrarium | Johann Sebastian Bach, Nils-Thilo Krämer, Ariane Pfister, Christian Benda, Sebastian Benda, Capella Istropolitana | C Minor | 2 | 5A | 172 BPM | ||
Johannes-Passion, BWV 245.1: 12. Recitativo: Und Hannas sandte ihn gebunden | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Jannes Arndt, Ha Dong Lee | F Minor | 2 | 4A | 34 BPM |
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