"Don Giovanni, K.527 / Act 2: "Non ci stanchiamo"" by Wolfgang Amadeus Mozart, Alfredo Mariotti, Dietrich Fischer-Dieskau, Orchestra Of The National Theatre Prague, Karl Böhm was released on August 1, 1967. With Don Giovanni, K.527 / Act 2: "Non ci stanchiamo" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Orchestre du Théatre National de Prague, Karl Böhm's "Mozart: Don Giovanni" album is number 16 out of 63. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Don Giovanni, K.527 / Act 2: "Non ci stanchiamo" is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Don Giovanni, K.527 / Act 2: "Non ci stanchiamo" by Wolfgang Amadeus Mozart, Alfredo Mariotti, Dietrich Fischer-Dieskau, Orchestra Of The National Theatre Prague, Karl Böhm to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Mozart: Concerto for Flute and Harp, K. 299: II. Andantino | Wolfgang Amadeus Mozart, Emmanuel Pahud, Anneleen Lenaerts, François Leleux, Orchestre de chambre de Paris | F Major | 1 | 7B | 99 BPM | ||
Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM | ||
Sinfonia in D Major, "La Veneziana": III. Presto | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 109 BPM | ||
Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo. Allegro | Joseph Haydn, Frédéric Lodéon, Theodor Guschlbauer, Bournemouth Sinfonietta | B♭ Major | 0 | 6B | 183 BPM | ||
Capriol Suite: 2. Pavane | Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 160 BPM | ||
A:4 Solfeggietto in C minor, Wq. 117/2 | Carl Philipp Emanuel Bach, C. P. E. Bach, Dinara Klinton | F Minor | 2 | 4A | 122 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Leonidas Kavakos, Yuja Wang | E♭ Major | 0 | 5B | 74 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM |
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