John Taverner, Boreas Quartett Bremen, Han Tol's 'Booke of In nomines & Other Solfainge Songs: In nomine "I Come"' came out on November 6, 2015. With Booke of In nomines & Other Solfainge Songs: In nomine "I Come" being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "Tye: In nomine – Works for Recorder Consort". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Germany. Booke of In nomines & Other Solfainge Songs: In nomine "I Come" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Booke of In nomines & Other Solfainge Songs: In nomine "I Come" by John Taverner, Boreas Quartett Bremen, Han Tol having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pueri concinite | Jacobus Gallus, Pro Musica, Szabó Dénes | F Major | 1 | 7B | 87 BPM | ||
Miserere mei, Z. 109 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 66 BPM | ||
Unquiet Thoughts | John Dowland, Grace Davidson, David Miller | G Major | 0 | 9B | 103 BPM | ||
Nuper rosarum flores | Guillaume Dufay, Pomerium, Alexander Blachly | D Minor | 1 | 7A | 71 BPM | ||
Seven Sounds Unseen: No. 1. — | Robert Moran, Musica Sacra, Richard Westenburg | A♭ Major | 0 | 4B | 134 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM | ||
Te Deum à 8, MWV B 15: II. Te Aeternum Patrem | Felix Mendelssohn, Franziska Bobe, Sonntraud Engels-Benz, Frieder Bernius, Katharina Eberl, Maria Kalmbach, Sigrun Bornträger, Oliver Kringel, Daniel Schmid, Johannes Hill, Felix Rathgeber, Kammerchor Stuttgart | B♭ Minor | 0 | 3A | 68 BPM | ||
O Virgo splendens (canon a 2 i a 3) | Jordi Savall | G Minor | 3 | 6A | 79 BPM | ||
Viderunt omnes: ...fines terre salutare dei nostri jubilate deo omnis terra (plainchant) | Pérotin, Tonus Peregrinus, Antony Pitts | A♭ Major | 2 | 4B | 111 BPM | ||
Argentum et aurum | Heinrich Isaac, Ensemble Leones, Els Janssens-Vanmunster, Marc Lewon | A Minor | 2 | 8A | 88 BPM |
Section: 0.9806585311889648
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