Mozarteum Orchestra Salzburg's 'Le nozze di Figaro (The Marriage of Figaro), K. 492: March' came out on April 19, 2011. The duration of Le nozze di Figaro (The Marriage of Figaro), K. 492: March is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Le nozze di Figaro (The Marriage of Figaro), K. 492: March's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "I Do! - Classical Wedding Music" album is number 51 out of 79. Based on our statistics, Le nozze di Figaro (The Marriage of Figaro), K. 492: March's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Le nozze di Figaro (The Marriage of Figaro), K. 492: March by Mozarteum Orchestra Salzburg to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in C Major for bassoon and orchestra: III. Finale. Allegro | Johann Baptist Vanhal, Johann Nepomuk Hummel, Sophie Dervaux, Mozarteum Orchestra Salzburg | D Minor | 1 | 7A | 102 BPM | ||
Violin Concerto No. 11 in D Major, Op. 23: III. Rondo allegretto | Pierre Rode, Friedemann Eichhorn, Jena Philharmonic Orchestra, Nicolás Pasquet | D Major | 3 | 10B | 121 BPM | ||
Sinfonia in E major, RV 132: II. Andante | Karoly Botvay | A Major | 0 | 11B | 79 BPM | ||
Symphony in G Minor, Op. 6, No. 6, W. C12: I. Allegro | Johann Christian Bach, Concerto Köln | F♯ Minor | 1 | 11A | 87 BPM | ||
Sonata in E Minor (Allegrissimo), Kk. 98 | Domenico Scarlatti, Ivo Pogorelich | E Minor | 0 | 9A | 84 BPM | ||
Symphony No. 101 in D Major, Hob. I:101, "The Clock": III. Minueto | Mozarteum Orchestra Salzburg | D Major | 2 | 10B | 144 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Der Fischer und das Milchmädchen: XI. Allegretto ma non troppo | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Sinfonia in D Major, "La Veneziana": I. Allegro assai | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 108 BPM | ||
Ascanio in Alba, K.111 / Part 2: "Ma s'allontani almen" - Recitativo | Wolfgang Amadeus Mozart, Edith Mathis, Peter Schreier, Agnes Baltsa, Mozarteum Orchestra Salzburg, Leopold Hager | B♭ Major | 2 | 6B | 78 BPM |
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