"The Bartered Bride, Act III Scene V: Sextet "Think it over, Marenka, think it through"" by Bedřich Smetana, Sir Charles Mackerras, Philharmonic Orchestra, Yvonne Howard, Diana Montague, Neal Davies, Peter Rose, Geoffrey Moses, Susan Gritton was released on October 1, 2005. The duration of The Bartered Bride, Act III Scene V: Sextet "Think it over, Marenka, think it through" is about 3 minutes long, at 3:17. Based on our data, "The Bartered Bride, Act III Scene V: Sextet "Think it over, Marenka, think it through"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 44 in the song's album "Smetana: The Bartered Bride". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United Kingdom. The Bartered Bride, Act III Scene V: Sextet "Think it over, Marenka, think it through" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Bartered Bride, Act III Scene V: Sextet "Think it over, Marenka, think it through" by Bedřich Smetana, Sir Charles Mackerras, Philharmonic Orchestra, Yvonne Howard, Diana Montague, Neal Davies, Peter Rose, Geoffrey Moses, Susan Gritton having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Valse Fantaisie, Op.49 | Raoul Koczalski, Ingolf Wunder | B Minor | 0 | 10A | 66 BPM | ||
Prelude In D Major, BWV 925 : Prelude In D Major, BWV 925 | Janos Sebestyen, Johann Sebastian Bach | D Major | 3 | 10B | 139 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
6 Moments musicaux, Op. 16: No. 4, Presto | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | ||
Dalibor, JB 1:101, Act I, Scene 6: Jaká to bouře ňadra mi plní (Milada, Jitka) | Bedřich Smetana, Marie Podvalová, Štefa Petrová, Prague National Theatre Orchestra, Jaroslav Krombholc | B Major | 1 | 1B | 51 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM |
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