"2 Nordic Melodies, Op. 63 (version for orchestra): No. 2. Kulok og Stabbelaten (Cow-Call and Peasant Dance): Stabbelaten" by Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset was released on October 4, 2011. The duration of 2 Nordic Melodies, Op. 63 (version for orchestra): No. 2. Kulok og Stabbelaten (Cow-Call and Peasant Dance): Stabbelaten is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. 2 Nordic Melodies, Op. 63 (version for orchestra): No. 2. Kulok og Stabbelaten (Cow-Call and Peasant Dance): Stabbelaten's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Edvard Grieg, Bjarte Engeset's "Grieg: Music for String Orchestra" album is number 14 out of 18. On top of that, Hong Kong appears to be the country where this track was created. 2 Nordic Melodies, Op. 63 (version for orchestra): No. 2. Kulok og Stabbelaten (Cow-Call and Peasant Dance): Stabbelaten is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 2 Nordic Melodies, Op. 63 (version for orchestra): No. 2. Kulok og Stabbelaten (Cow-Call and Peasant Dance): Stabbelaten by Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
Requiem, Op. 48:IV. Pie Jesu (Arr. for Piano) | Gabriel Fauré, Emile Naoumoff | G Major | 1 | 9B | 99 BPM | ||
13 Pieces for Piano, Op. 76: Elegiaco, No. 10 | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 169 BPM | ||
Variations on an Original Theme in A-Flat Major, D. 813, Op. 35: VI. Variation V | Franz Schubert, Andreas Staier, Alexander Melnikov | E♭ Major | 0 | 5B | 66 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | ||
Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Sabine Meyer, Berliner Philharmoniker | D Major | 0 | 10B | 95 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Piano Concerto No. 2 in B Flat Major, Op. 19: II. Adagio | Ludwig van Beethoven, Krystian Zimerman, London Symphony Orchestra, Sir Simon Rattle | E♭ Major | 0 | 5B | 71 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM |
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