"Prayers of Kierkegaard: No. 3. Great Are You, O God!: No. 3. Great Are You, O God!" by Knut Nystedt, Natalie Campbell, South Dakota Chorale, Brian A. Schmidt was released on February 3, 2015. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 19 in the song's album "Sacred Songs of Life & Love". In this album, this song's track order is #11. Based on our statistics, Prayers of Kierkegaard: No. 3. Great Are You, O God!: No. 3. Great Are You, O God!'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Prayers of Kierkegaard: No. 3. Great Are You, O God!: No. 3. Great Are You, O God! by Knut Nystedt, Natalie Campbell, South Dakota Chorale, Brian A. Schmidt having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Crucifixion: IX. Chorus – God so loved the world | John Stainer, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson | E Major | 2 | 12B | 76 BPM | ||
In Pace | Casper Clausen, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy | C Major | 4 | 8B | 140 BPM | ||
Missa Brevis, Op. 102: V. Agnus Dei | Knut Nystedt, Deutscher Jugendkammerchor, Florian Benfer | B Minor | 0 | 10A | 73 BPM | ||
Bryllupsmarsj | Knut Nystedt, Anders Eidsten Dahl | E♭ Major | 0 | 5B | 69 BPM | ||
4 Songs of Love: No. 4, His Left Hand | Sven-David Sandström, Sofia Vokalensemble, Bengt Ollen | A Minor | 0 | 8A | 138 BPM | ||
Jesus, Din Søde Forening Å Smake | Bergen Domkantori | E♭ Major | 0 | 5B | 67 BPM | ||
Rise up, my love, my fair one, Op. 314 | Healey Willan, Matthew Larkin, Elora Festival Singers, Noel Edison | D♭ Major | 0 | 3B | 137 BPM | ||
Klusas dziemas (silent songs): I. Nosapi parsapi | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava | F Minor | 0 | 4A | 129 BPM | ||
Mass for unaccompanied double choir: IV. Sanctus | Frank Martin, RIAS Kammerchor, Daniel Reuss | D Major | 1 | 10B | 85 BPM | ||
4 Psalms, Op. 74: No. 1, Hvad est du dog skjon (How Fair Is Thy Face) | Edvard Grieg, Audun Iversen, Bård Bratlie, The Norwegian Soloists' Choir, Grete Pedersen-Helgerod | A Minor | 0 | 8A | 128 BPM |
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