Asha Bhosle, Usha Mangeshkar, Hemlata, Laxmikant–Pyarelal's ' "Chanda Ko Dhundne - With Dialogue" was released on its scheduled release date, January 1, 1969. This song is about six minutes long, preciously at 6:22, making this song fairly long compared to other songs. The track order of this song in Laxmikant–Pyarelal, Anand Bakshi's "Jeene Ki Raah" album is number 3 out of 9. On top of that, India appears to be the country where this track was created. Based on our statistics, Chanda Ko Dhundne - With Dialogue's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Chanda Ko Dhundne - With Dialogue by Asha Bhosle, Usha Mangeshkar, Hemlata, Laxmikant–Pyarelal to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tu Is Tarah Se - Hemlata | Hemlata | G Major | 3 | 9B | 91 BPM | ||
Aao Na | Adnan Sami | A Minor | 2 | 8A | 95 BPM | ||
Aur Nahin Bas Aur Nahin | Mahendra Kapoor, Laxmikant–Pyarelal | E♭ Major | 3 | 5B | 102 BPM | ||
Mere Raja Mere Lal | Usha Mangeshkar, Asha Bhosle, Laxmikant–Pyarelal | B Major | 4 | 1B | 148 BPM | ||
Main Shair To Nahin | Shailendra Singh, Laxmikant–Pyarelal | E Minor | 5 | 9A | 144 BPM | ||
Yahan Wahan Jahan Wahan | Pradeep Kumar | A♭ Major | 3 | 4B | 128 BPM | ||
Puchho Na Yaar Kya Hua - From "Zamaane Ko Dikhana Hai" | Asha Bhosle, Mohammed Rafi, Rishi Kapoor, Padmini Kolhapure | F Major | 6 | 7B | 102 BPM | ||
Aar Koto Raat Eka Thakbo | Bappi Lahiri, Asha Bhosle | A Minor | 9 | 8A | 87 BPM | ||
Mere Mehboob Na Ja Aaj Ki Raat | Suman Kalyanpur | F Major | 4 | 7B | 151 BPM | ||
Dhadakte Dil Ki Tamanna | Suraiya | B♭ Major | 6 | 6B | 72 BPM |