When David Heard - Timothy Brown, William Carter, Marshall Marcus, Andrew Manze, Jonathan Brown, Liz Kenny, Tim Handley, Jenny Ward - Clarke, Choir of Clare College, Cambridge, Nicholas Parker, Jan Schlapp, Thomas Weelkes Information

Acousticness: 99%
Danceability: 12%
Energy: 4%
Instrumentalness: 86%
Liveness: 7%
Loudness: 51%
Speechiness: 5%
Valence: 4%
Popularity: 0%
Loudness: -29.644 dB

Summary

"When David Heard" by Timothy Brown, William Carter, Marshall Marcus, Andrew Manze, Jonathan Brown, Liz Kenny, Tim Handley, Jenny Ward - Clarke, Choir of Clare College, Cambridge, Nicholas Parker, Jan Schlapp, Thomas Weelkes was released on December 22, 2006. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Timothy Brown's "Miserere, Lamentations" album is number 3 out of 13. The popularity of When David Heard is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

When David Heard BPM

We consider the tempo marking of When David Heard by Timothy Brown, William Carter, Marshall Marcus, Andrew Manze, Jonathan Brown, Liz Kenny, Tim Handley, Jenny Ward - Clarke, Choir of Clare College, Cambridge, Nicholas Parker, Jan Schlapp, Thomas Weelkes to be Vivace (lively and fast) because the track has a tempo of 173 BPM, a half-time of 86BPM, and a double-time of 346 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.

When David Heard Key

This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Compline Service: Confession	Traditional, Choir of Clare College, Cambridge, Timothy Brown	A Minor	0	8A	79 BPM
In Pace	John Sheppard, Choir of Clare College, Cambridge, Timothy Brown	A Major	0	11B	128 BPM
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave	Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis	C Minor	1	5A	74 BPM
O Lux Beata	William Byrd, Choir of Clare College, Cambridge, Timothy Brown	B Major	1	1B	86 BPM
Cantica Sacra: No. 21, O Crux Ave	Richard Dering, Timothy Brown	A♭ Minor	2	1A	86 BPM
Chichester Psalms: Psalm 2, vv. 1-4 & Psalm 23 vv. 1-6. Andante con moto, ma tranquillo	Leonard Bernstein, Choir of Clare College, Cambridge, Timothy Brown, Lawrence Zazzo, Rachel Masters, The Wallace Collection	D Minor	2	7A	87 BPM
Lord for thy tender mercies sake	Richard Farrant, Choir of Clare College, Cambridge, Timothy Brown	A Major	1	11B	79 BPM
Vox in Rama	George Kirbye, Choir of Clare College, Cambridge, Timothy Brown	F Minor	2	4A	78 BPM
In ecclesiis (a 14), C78	Giovanni Gabrieli, His Majestys Sagbutts & Cornetts, Ensemble of King's College, Cambridge, Stephen Cleobury	A Minor	1	8A	79 BPM
3 Chansons de Charles d'Orléans, L.92	Claude Debussy, Choir of Clare College, Cambridge, Timothy Brown	A♭ Minor	0	1A	90 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6794955730438232

End: 0.6847493648529053