"My Fatherland, JB 1:112 "Ma Vlast": IV. From Bohemia's fields and groves ("Z ceskych luhu a háju")" by Bedřich Smetana, Denis Zsoltay, Baden-Baden Philharmonic Orchestra was released on January 18, 2020. My Fatherland, JB 1:112 "Ma Vlast": IV. From Bohemia's fields and groves ("Z ceskych luhu a háju") appears to be safe for all ages as it is not explicit. There are a total of 30 in the song's album "Smetana Famous Pieces". In this album, this song's track order is #4. Based on our statistics, My Fatherland, JB 1:112 "Ma Vlast": IV. From Bohemia's fields and groves ("Z ceskych luhu a háju")'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With My Fatherland, JB 1:112 "Ma Vlast": IV. From Bohemia's fields and groves ("Z ceskych luhu a háju") by Bedřich Smetana, Denis Zsoltay, Baden-Baden Philharmonic Orchestra having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Goldberg Variations, BWV 988: Variatio 7 a 1 ovvero 2 Clav. Al tempo di Giga | Johann Sebastian Bach, Lang Lang | G Major | 1 | 9B | 71 BPM | ||
Etude Op. 25 no. 9 in G Flat Major | Valentina Lisitsa | F♯ Major | 2 | 2B | 111 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Concerto en ré mineur, BWV 974: II. Adagio | Johann Sebastian Bach, Alexandre Tharaud | D Minor | 2 | 7A | 85 BPM | ||
Debussy: Children's Corner, CD 119 - VI. Cakewalk | Claude Debussy, Isata Kanneh-Mason | A♭ Major | 0 | 4B | 106 BPM | ||
Louisina Polka in E-Flat Major, JB 1:1 | Bedřich Smetana, Jan Novotný | E♭ Major | 1 | 5B | 107 BPM | ||
The Two Widows (Dve Vdovy) - Opera in 2 Acts: Overture | Bedřich Smetana, Cleveland Orchestra, Christoph von Dohnányi | C Major | 0 | 8B | 143 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM |
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