Fernando Lopes-Graça, Antunes da Silva, Coro da Academia dos Amadores de Música, Olga Prats made "Canções Heróicas: Convite" available on January 1, 1974. With Canções Heróicas: Convite being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 23 in Canções Heróicas / Canções Regionais Portuguesas by Coro da Academia dos Amadores de Música, Fernando Lopes-Graça, Olga Prats. Going off of the ISRC code of this track, we detected that the origin of this track is from Portugal. Based on our statistics, Canções Heróicas: Convite's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Canções Heróicas: Convite by Fernando Lopes-Graça, Antunes da Silva, Coro da Academia dos Amadores de Música, Olga Prats is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Toi, leve-toi | Reflets | E Major | 1 | 12B | 135 BPM | ||
Tábortüznél, Près du feu de camp | Lajos Bárdos, Pécsi Nevelök Háza Kamarakórusa, Aurél Tillai | B♭ Major | 0 | 6B | 63 BPM | ||
Mille regretz | Josquin des Prez, Stile Antico | F♯ Minor | 1 | 11A | 86 BPM | ||
Les Indes Galantes, 4ème Entrée Les Sauvages, Scène 6 La Grande Danse De La Paix | Eric Fleming | E♭ Minor | 4 | 2A | 134 BPM | ||
Šūpuļdziesma | Jānis Lūsēns, Youth choir BALSIS, Ints Teterovskis, Agita Ikauniece | E Major | 0 | 12B | 124 BPM | ||
Capa Negra, Rosa Negra | Cuca Roseta | F Major | 3 | 7B | 85 BPM | ||
An das Meer | Max Reger, Otto Franz Gensichen, Lunds Studentsångare, Christian Schultze | E Major | 1 | 12B | 69 BPM | ||
Petite messe solennelle: XI. Credo. Credo in unum Deum | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
2 Choeurs, Op. 68: No. 2. Les fleurs et les arbres | Camille Saint-Saëns, musica intima | E♭ Major | 1 | 5B | 76 BPM | ||
Angelus - Remastered | Coro Nuestra Señora de la Almudena | F Major | 3 | 7B | 171 BPM |
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