Gräfin Mariza: Komm mit nach Varasdin
Emmerich Kálmán, Margit Schramm, Ferry Gruber, Robert Stolz
Kálmán: Gräfin Mariza (Excerpts)
3:44 February 21, 1967
BPM
135
Key
F Major
Camelot
7B

Embed

Share Link

Gräfin Mariza: Komm mit nach Varasdin - Emmerich Kálmán, Margit Schramm, Ferry Gruber, Robert Stolz Information

Acousticness
91%
Danceability
31%
Energy
21%
Instrumentalness
0%
Liveness
12%
Loudness
71%
Speechiness
4%
Valence
39%
Popularity
Loudness
-17.163 dB

Summary

Emmerich Kálmán, Margit Schramm, Ferry Gruber, Robert Stolz's 'Gräfin Mariza: Komm mit nach Varasdin' came out on February 21, 1967. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Emmerich Kálmán, Robert Stolz's "Kálmán: Gräfin Mariza (Excerpts)" album is number 4 out of 11. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Gräfin Mariza: Komm mit nach Varasdin's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Gräfin Mariza: Komm mit nach Varasdin BPM

We consider the tempo marking of Gräfin Mariza: Komm mit nach Varasdin by Emmerich Kálmán, Margit Schramm, Ferry Gruber, Robert Stolz to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.

Gräfin Mariza: Komm mit nach Varasdin Key

F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Russian March by Johann Sebastian Strauss, London Festival OrchestraRussian MarchJohann Sebastian Strauss, London Festival OrchestraG Major19B182 BPM
Walzer, Op. 307: Wiener Bonbons by Sinfonieorchester des Tschechischen Rundfunks, Otto AebiWalzer, Op. 307: Wiener BonbonsSinfonieorchester des Tschechischen Rundfunks, Otto AebiC Minor15A105 BPM
Nymphen-Polka, Op. 50 by Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Walter HilgersNymphen-Polka, Op. 50Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Walter HilgersC Major28B75 BPM
Die Csardasfurstin (The Gypsy Princess) (Sung in Hungarian): Act II: Emlekszel meg (Szilvia, Edwin) by Emmerich Kálmán, Kamill Feleki, Hanna Honthy, Erzsebet Hazy, Laszlo Palocz, Robert Ratonyi, Anna Zentay, Gyorgy Korondy, Laszlo Csakanyi, Ferencz Laszlo, Hungarian Radio and Television Chorus, Hungarian Radio And Television Symphony Orchestra, Tamás BródyDie Csardasfurstin (The Gypsy Princess) (Sung in Hungarian): Act II: Emlekszel meg (Szilvia, Edwin)Emmerich Kálmán, Kamill Feleki, Hanna Honthy, Erzsebet Hazy, Laszlo Palocz, Robert Ratonyi, Anna Zentay, Gyorgy Korondy, Laszlo Csakanyi, Ferencz Laszlo, Hungarian Radio and Television Chorus, Hungarian Radio And Television Symphony Orchestra, Tamás BródyF Minor34A85 BPM
Ball Scene by Joseph Hellmesberger, Jr., Gothenburg Symphony Orchestra, Neeme JärviBall SceneJoseph Hellmesberger, Jr., Gothenburg Symphony Orchestra, Neeme JärviB Major31B116 BPM
Aida: Gloria all' Egitto ad Iside by Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de BurgosAida: Gloria all' Egitto ad IsideChor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de BurgosE♭ Major35B112 BPM
Yes!, Act I: Ouverture by Maurice Yvain, Les Frivolités ParisiennesYes!, Act I: OuvertureMaurice Yvain, Les Frivolités ParisiennesF Major17B83 BPM
Faust: Hoch, Ruhm und Ehre by Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de BurgosFaust: Hoch, Ruhm und EhreChor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de BurgosB♭ Major36B117 BPM
Jägerchor aus der Oper Jägerchor aus der Oper " Der Freischütz "Menskes ChöreD Major310B109 BPM
La vie parisienne, Polka by Jacques Offenbach, Budapest Strauss Ensemble, Istvan BogarLa vie parisienne, PolkaJacques Offenbach, Budapest Strauss Ensemble, Istvan BogarG Major49B105 BPM
ISRC
DEE476700101
Label
L-M Records/RCA Records

Section: 0.5705873966217041

End: 0.5759408473968506