Emmerich Kálmán, Margit Schramm, Ferry Gruber, Robert Stolz's 'Gräfin Mariza: Komm mit nach Varasdin' came out on February 21, 1967. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Emmerich Kálmán, Robert Stolz's "Kálmán: Gräfin Mariza (Excerpts)" album is number 4 out of 11. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Gräfin Mariza: Komm mit nach Varasdin's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gräfin Mariza: Komm mit nach Varasdin by Emmerich Kálmán, Margit Schramm, Ferry Gruber, Robert Stolz to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Russian March | Johann Sebastian Strauss, London Festival Orchestra | G Major | 1 | 9B | 182 BPM | ||
Walzer, Op. 307: Wiener Bonbons | Sinfonieorchester des Tschechischen Rundfunks, Otto Aebi | C Minor | 1 | 5A | 105 BPM | ||
Nymphen-Polka, Op. 50 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Walter Hilgers | C Major | 2 | 8B | 75 BPM | ||
Die Csardasfurstin (The Gypsy Princess) (Sung in Hungarian): Act II: Emlekszel meg (Szilvia, Edwin) | Emmerich Kálmán, Kamill Feleki, Hanna Honthy, Erzsebet Hazy, Laszlo Palocz, Robert Ratonyi, Anna Zentay, Gyorgy Korondy, Laszlo Csakanyi, Ferencz Laszlo, Hungarian Radio and Television Chorus, Hungarian Radio And Television Symphony Orchestra, Tamás Bródy | F Minor | 3 | 4A | 85 BPM | ||
Ball Scene | Joseph Hellmesberger, Jr., Gothenburg Symphony Orchestra, Neeme Järvi | B Major | 3 | 1B | 116 BPM | ||
Aida: Gloria all' Egitto ad Iside | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | E♭ Major | 3 | 5B | 112 BPM | ||
Yes!, Act I: Ouverture | Maurice Yvain, Les Frivolités Parisiennes | F Major | 1 | 7B | 83 BPM | ||
Faust: Hoch, Ruhm und Ehre | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | B♭ Major | 3 | 6B | 117 BPM | ||
Jägerchor aus der Oper " Der Freischütz " | Menskes Chöre | D Major | 3 | 10B | 109 BPM | ||
La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 4 | 9B | 105 BPM |
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