"Erbarm' Dich Mein, O Herre Gott Bwv 305" by Nicol Matt, Nordic Chamber Choir, Ute Petersilge, Martina Rotbauer, Jens Wollenschläger, Robert Sagasser, Heike Hümmer, Johann Sebastian Bach, Jörg Halobek, Soloists Of The Freiburger Barockorchester was released on March 28, 2007. With Erbarm' Dich Mein, O Herre Gott Bwv 305 being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 43 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Erbarm' Dich Mein, O Herre Gott Bwv 305 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Erbarm' Dich Mein, O Herre Gott Bwv 305 by Nicol Matt, Nordic Chamber Choir, Ute Petersilge, Martina Rotbauer, Jens Wollenschläger, Robert Sagasser, Heike Hümmer, Johann Sebastian Bach, Jörg Halobek, Soloists Of The Freiburger Barockorchester is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Deutsche Messe, D. 872: Zum Eingang: Massig | Franz Schubert, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM | ||
Concerto in C Major for Two Oboes and Strings, Op. 7 No. 5: II. Adagio | Tomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Stuttgart Chamber Orchestra, Nicol Matt | A Minor | 1 | 8A | 76 BPM | ||
Magnificat in D Major, BWV 243: Esurientes implevit bonis (Alto) | Johann Sebastian Bach, Christine Schäfer, Ibolya Verebics, Ingeborg Danz, James Taylor, Thomas Quasthoff, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | E Major | 1 | 12B | 82 BPM | ||
Le Bourgeois gentilhomme, LWV 43, Act IV Scene 5: Marche pour la cérémonie des Turcs (Arr. for 2 Harpsichords by William Christie & Justin Taylor) | Jean-Baptiste Lully, William Christie, Justin Taylor | F♯ Minor | 4 | 11A | 85 BPM | ||
4. Aria: Du Held | Georg Anton Kreusser, Christoph Prégardien, Karsten Storck, Mainzer Domorchester | F Minor | 2 | 4A | 168 BPM | ||
Liebeslieder. Waltz for Vocals and Piano Four-Hands, Op. 65: No. 2, "Finstre Schatten der Nacht" | Johannes Brahms, Jürgen Meier, Friederike Haug, Chamber Choir Of Europe, Nicol Matt | F Major | 1 | 7B | 124 BPM | ||
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Benedictus | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | E♭ Major | 1 | 5B | 112 BPM | ||
Les fêtes d'Hébé, RCT 41, Act I Scene 5: Revenez, tendre amant, embellissez ces lieux | Jean-Philippe Rameau, Lóránt Najbauer, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | E♭ Major | 0 | 5B | 99 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 3. Oro supplex et acclinis | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen | B Minor | 1 | 10A | 139 BPM | ||
No Heathen | Marc Ezenge | F Minor | 1 | 4A | 154 BPM |
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