Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir made "Wesley: Lo! He Comes with Clouds Descending (Helmsley) - 3. the Dear Tokens of His Passion" available on January 1, 1985. With Wesley: Lo! He Comes with Clouds Descending (Helmsley) - 3. the Dear Tokens of His Passion being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 9 out of 89 in Charles Wesley - 20 Favourite Hymns by Methodist Central Hall Choir, Westminster, John Chapman. Wesley: Lo! He Comes with Clouds Descending (Helmsley) - 3. the Dear Tokens of His Passion is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Wesley: Lo! He Comes with Clouds Descending (Helmsley) - 3. the Dear Tokens of His Passion by Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O God, Our Help in Ages Past | Cantillation, David Drury, David Russell | C Major | 1 | 8B | 109 BPM | ||
Wesley: Come, Sinners, to the Gospel Feast (Fulda) - 1. Come, Sinners, to the Gospel Feast | Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir | B♭ Major | 1 | 6B | 104 BPM | ||
Come, Risen Lord: Come, risen Lord | Leo Sowerby, Cathedral Choral Society, Nicholas White, Gisele Becker | B♭ Major | 1 | 6B | 79 BPM | ||
Nien, Geliebter, Setze Dich | Georg Friedrich Daumer, Johannes Brahms, One Voice Mixed Chorus, Jane Ramseyer Miller | E Major | 0 | 12B | 86 BPM | ||
Grand Dieu, nous te bénissons | Choeur de la Radio Suisse Romande, André Charlet, André Luy | G Major | 3 | 9B | 85 BPM | ||
O Mary Immaculate | Daughters Of St. Paul | E♭ Major | 1 | 5B | 119 BPM | ||
Wesley: Forth in Thy Name, O Lord, I Go (Antwerp) - 1. Forth in Thy Name, O Lord, I Go | Methodist Central Hall Choir, Westminster, John Chapman, Epworth Choir | D Major | 1 | 10B | 90 BPM | ||
Now May He Who from the Dead | The Coventry Singers | C Major | 3 | 8B | 117 BPM | ||
Let Us Go to the Mount | Sumphonia | D Major | 2 | 10B | 78 BPM | ||
What are children to the Lord? | Kim André Arnesen, Thomas Berg-Juul, Haderslev Domkirkes Pigekor, Sønderjyllands Symfoniorkester, Kristin Mulders | A♭ Major | 0 | 4B | 102 BPM |
Section: 0.5770165920257568
End: 0.581329345703125