National Symphony Orchestra made "Entr'acte" available on January 1, 1996. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Cole Porter's "Kiss Me, Kate (Original 1996 Studio Cast) [Complete Recording]" album is number 1 out of 24. On top of that, United Kingdom appears to be the country where this track was created. Entr'acte is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Entr'acte by National Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Coney Island Waltz | National Symphony Orchestra | C Major | 2 | 8B | 108 BPM | ||
Ballet Suite No. 1 (arr. L. Atovmyan): Polka (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 3 | 8B | 148 BPM | ||
Back to the Moon | Alan Williams | A Major | 1 | 11B | 75 BPM | ||
Anne | Debbie Wiseman, National Symphony Orchestra | E♭ Major | 1 | 5B | 117 BPM | ||
Chi non sempre perde Allegro Appassionato | Alessandro Rustici | D Minor | 1 | 7A | 79 BPM | ||
The Phantom Bloodstone Suite | Niklas Wagner | A♭ Major | 2 | 4B | 82 BPM | ||
Little Serenade | Ernest Tomlinson, Slovak Radio Symphony Orchestra | A Major | 0 | 11B | 143 BPM | ||
Shostakovich: Symphony No. 9 in E-Flat Major, Op. 70: II. Moderato | Dmitri Shostakovich, Mstislav Rostropovich, National Symphony Orchestra | B Minor | 0 | 10A | 130 BPM | ||
Renaissance Concerto: III. Recitative (After Monteverdi) | Lukas Foss, Amy Porter, Buffalo Philharmonic Orchestra, Joann Falletta | A Minor | 1 | 8A | 147 BPM | ||
Symphonic Dances, Op. 64: II. Allegretto grazioso (Arr. for Orchestra by John Rutter) | Edvard Grieg, John Rutter, Manchester Camerata | A Major | 1 | 11B | 101 BPM |
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