"L'Arlesienne Suite No. 1, Op. 23bis, WD 40: II. Menuet (Arr. S. Rachmaninoff for Piano)" by Georges Bizet, Sergei Rachmaninoff was released on May 21, 2021. The duration of L'Arlesienne Suite No. 1, Op. 23bis, WD 40: II. Menuet (Arr. S. Rachmaninoff for Piano) is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. L'Arlesienne Suite No. 1, Op. 23bis, WD 40: II. Menuet (Arr. S. Rachmaninoff for Piano)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Tchaikovsky, Grieg & Others: Works". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Czechia. In terms of popularity, L'Arlesienne Suite No. 1, Op. 23bis, WD 40: II. Menuet (Arr. S. Rachmaninoff for Piano) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With L'Arlesienne Suite No. 1, Op. 23bis, WD 40: II. Menuet (Arr. S. Rachmaninoff for Piano) by Georges Bizet, Sergei Rachmaninoff having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
The Tale of Tsar Saltan: The Tale of Tsar Saltan: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 1 | 9B | 80 BPM | ||
Orchestral Suite No.2 in B minor, BWV1067 - Badinerie | CHA Medical Center | B Minor | 2 | 10A | 116 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 - "Moonlight": III. Presto agitato | Ludwig van Beethoven, Daniel Barenboim | F♯ Minor | 1 | 11A | 157 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
Jazz Suite No. 2: VII. Dance 2 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 2 | 11B | 109 BPM | ||
L'Arlésienne Suite No. 2 (Arr. E. Guiraud for Orchestra): IV. Farandole | Ernest Guiraud, Georges Bizet, Budapest Philharmonic Orchestra, Janos Sandor | D Major | 4 | 10B | 79 BPM | ||
Carmen (1997 - Remaster), Act I: Avec la garde montante | Georges Bizet, Nicolai Gedda, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D Minor | 1 | 7A | 122 BPM | ||
Danse macabre in G Minor, Op. 40 | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Keith Clark | G Minor | 2 | 6A | 116 BPM |
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