"Piazzolla / Transcr. Hubert: Oblivión (Live)" by Astor Piazzolla, Martha Argerich, Eduardo Hubert was released on March 5, 2021. With this song being about 5 minutes long, at 4:40, "Piazzolla / Transcr. Hubert: Oblivión (Live)" by Astor Piazzolla, Martha Argerich, Eduardo Hubert is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Astor Piazzolla's "Libertango. The Best of Astor Piazzolla" album is number 2 out of 10. On top of that, United Kingdom appears to be the country where this track was created. Piazzolla / Transcr. Hubert: Oblivión (Live) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piazzolla / Transcr. Hubert: Oblivión (Live) by Astor Piazzolla, Martha Argerich, Eduardo Hubert to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Emancipación - Instrumental | Osvaldo Pugliese | A Minor | 2 | 8A | 121 BPM | ||
Concierto de Aranjuez: II. Adagio [Excerpt] | Joaquín Rodrigo, Julian Bream, John Eliot Gardiner, Chamber Orchestra of Europe | B Minor | 0 | 10A | 76 BPM | ||
Chôros No. 1, W161 | Heitor Villa-Lobos, Mickael Viegas | E Minor | 2 | 9A | 93 BPM | ||
Weeping Willows | Charlie Chaplin, Philippe Quint | D Minor | 1 | 7A | 91 BPM | ||
Eu sei che vou te amar | Amores Tangos | C Major | 2 | 8B | 75 BPM | ||
Danza Brasilera | Jorge Morel, Miloš Karadaglić | A Minor | 1 | 8A | 102 BPM | ||
Jazz Suite No. 1: I. Waltz | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | E♭ Major | 1 | 5B | 173 BPM | ||
Sargento Cabral | Agustín Barrios Mangoré, Celil Refik Kaya | D Minor | 1 | 7A | 91 BPM | ||
Concierto para piano en Fa menor BMW 1056: Segundo - Largo | Johann Sebastian Bach, Roberto Bravo | A♭ Major | 0 | 4B | 131 BPM | ||
Salgán : Don Agustín Bardi | Horacio Salgán, Daniel Barenboim, Rodolfo Mederos, Héctor Console | G Minor | 3 | 6A | 107 BPM |
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