- BPM
- 90
- Key
- D Major
- Camelot
- 10B
A Fugal Concerto, Op. 40: III. Allegro - Gustav Holst, Duke Dobing, Christopher Hooker, City of London Sinfonia, Richard Hickox Information
- Acousticness
- 96%
- Danceability
- 31%
- Energy
- 9%
- Instrumentalness
- 90%
- Liveness
- 16%
- Loudness
- 55%
- Speechiness
- 4%
- Valence
- 37%
- Popularity
- 2%
- Loudness
- -26.926 dB
Summary
Gustav Holst, Duke Dobing, Christopher Hooker, City of London Sinfonia, Richard Hickox's 'A Fugal Concerto, Op. 40: III. Allegro' came out on March 1, 1994. The duration of A Fugal Concerto, Op. 40: III. Allegro is about 3 minutes long, at 3:12. Based on our data, "A Fugal Concerto, Op. 40: III. Allegro" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Gustav Holst's "Holst: Double Concerto for 2 Violins / 2 Songs Without Words / Lyric Movement / Brook Green Suite" album is number 12 out of 16. In terms of popularity, A Fugal Concerto, Op. 40: III. Allegro is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
A Fugal Concerto, Op. 40: III. Allegro BPM
We consider the tempo marking of A Fugal Concerto, Op. 40: III. Allegro by Gustav Holst, Duke Dobing, Christopher Hooker, City of London Sinfonia, Richard Hickox to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
A Fugal Concerto, Op. 40: III. Allegro Key
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Lyric Suite, Op. 54: III. Notturno (Nocturne) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | C Major | 0 | 8B | 127 BPM | |
 | The Magic Flute, Overture, K620 | Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 85 BPM | |
 | Concerto Grosso: Intrada | Ralph Vaughan Williams, New Zealand Symphony Orchestra, James Judd | G Major | 3 | 9B | 78 BPM | |
 | Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | F♯ Major | 0 | 2B | 88 BPM | |
 | String Quartet No. 2 in D Major: III. Notturno: Andante | Alexander Borodin, Budapest Haydn Quartet | A Major | 1 | 11B | 89 BPM | |
 | Peer Gynt, Op. 23: Act II, 7, In the Hall of the Mountain King | Edvard Grieg, Esa-Pekka Salonen | B Minor | 2 | 10A | 104 BPM | |
 | Japanese Suite, Op. 33: I. Prelude: Song of the Fisherman | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 134 BPM | |
 | In the Bleak Midwinter, H. 73 (Arr. for Wind Band) | Anonymous , Gustav Holst, North Texas Wind Symphony, Eugene Migliaro Corporon | A♭ Major | 1 | 4B | 78 BPM | |
 | Symphony No. 6 in B Minor, Op. 74 "Pathétique": II. Allegro con grazia | Pyotr Ilyich Tchaikovsky, Teodor Currentzis, musicAeterna | D Major | 2 | 10B | 66 BPM | |
 | Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.0073997974395752
End: 1.0119826793670654