"The Bowl" by Bernard Herrmann, Joel McNeely, Royal Scottish National Orchestra was released on January 1, 2000. The duration of The Bowl is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. The Bowl's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Bernard Herrmann, Joel McNeely, Royal Scottish National Orchestra's "Marnie (Original Motion Picture Score)" album is number 6 out of 41. On top of that, United States appears to be the country where this track was created. Based on our statistics, The Bowl's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Bowl by Bernard Herrmann, Joel McNeely, Royal Scottish National Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Last Dance | Jack Nitzsche | C Major | 3 | 8B | 69 BPM | ||
The Calling/Main Title | Donald Rubinstein | G Major | 2 | 9B | 147 BPM | ||
Opening (from Mishima) | Philip Glass | E♭ Major | 3 | 5B | 144 BPM | ||
Medley: At La Belle Aurore | The Warner Bros. Studio Orchestra | G Minor | 3 | 6A | 81 BPM | ||
Don't Look Up - Main Title Suite - Bonus Track | Nicholas Britell | G Major | 6 | 9B | 118 BPM | ||
Medley (Laszlo / As Time Goes By / Orders / Die Wacht Am Rhein / Motor / Ilsa Returns / Telephone / Deutschland Über Alles / La Marseillaise / Plane) | The Warner Bros. Studio Orchestra | F Major | 2 | 7B | 99 BPM | ||
Il Grande Duello (Parte Seconda) | Luis Bacalov | C Major | 1 | 8B | 79 BPM | ||
Main Title (From "Rebel Without a Cause") | Leonard Rosenman | E Minor | 1 | 9A | 76 BPM | ||
Prelude | Bernard Herrmann | B Major | 3 | 1B | 76 BPM | ||
Love Theme From "The Godfather" - From "The Godfather" Soundtrack | Nino Rota, Carlo Savina | D♭ Major | 2 | 3B | 69 BPM |
Section: 0.6411373615264893
End: 0.6446108818054199