"Satie: 5 Nocturnes: No. 3, Un peu mouvementé" by Erik Satie, Aldo Ciccolini was released on July 14, 2023. The duration of Satie: 5 Nocturnes: No. 3, Un peu mouvementé is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Satie: 5 Nocturnes: No. 3, Un peu mouvementé's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "Satie: Morceaux en forme de poire, Heures séculaires et instantanées, Nocturnes, Gymnopédies, Gnossiennes, Avant-dernières pensées...". In this album, this song's track order is #25. Furthermore, we believe that the track originated from France. Satie: 5 Nocturnes: No. 3, Un peu mouvementé is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Satie: 5 Nocturnes: No. 3, Un peu mouvementé by Erik Satie, Aldo Ciccolini having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Waltz in F Minor | Vladimir Horowitz, Valery Kuleshov | B♭ Minor | 0 | 3A | 75 BPM | ||
Satie: 3 Gymnopédies: No. 2, Lent et triste | Erik Satie, Anne Queffélec | D Minor | 0 | 7A | 73 BPM | ||
La Fille aux cheveux de lin, L. 117 | Lavinia Meijer | E♭ Minor | 0 | 2A | 49 BPM | ||
Nocturne | Alexander Borodin, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Minor | 1 | 7A | 69 BPM | ||
8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | ||
Liebestraum | Franz Liszt, Arthur Rubinstein | A♭ Major | 2 | 4B | 95 BPM | ||
Kinderszenen, Op. 15: Träumerei (Arr. Lewin for Guitar) | Robert Schumann, Miloš Karadaglić | D Major | 0 | 10B | 81 BPM | ||
Gnossiennes: n° 5 | Erik Satie, Alexandre Tharaud | G Major | 0 | 9B | 73 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM |
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