"Mozart: Piano Concerto No. 24 in C Minor, K. 491: I. Allegro (Cadenza by Kissin)" by Wolfgang Amadeus Mozart, Evgeny Kissin, Sir Colin Davis, London Symphony Orchestra was released on August 24, 2007. Mozart: Piano Concerto No. 24 in C Minor, K. 491: I. Allegro (Cadenza by Kissin) appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "Schumann Concerto, Mozart Concerto No 24". In this album, this song's track order is #1. Based on our statistics, Mozart: Piano Concerto No. 24 in C Minor, K. 491: I. Allegro (Cadenza by Kissin)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mozart: Piano Concerto No. 24 in C Minor, K. 491: I. Allegro (Cadenza by Kissin) by Wolfgang Amadeus Mozart, Evgeny Kissin, Sir Colin Davis, London Symphony Orchestra having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
The music key of this track is C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata In D Major, Kk.119: Allegro | Domenico Scarlatti, Ivo Pogorelich | D Major | 1 | 10B | 126 BPM | ||
Piano Concerto No. 2 in B-flat minor, Op. 19: III. Rondo. Molto allegro | Ludwig van Beethoven, London Symphony Orchestra, Bernard Haitink, Maria João Pires | G Minor | 0 | 6A | 135 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Rachmaninov: 5 Morceaux de fantaisie, Op. 3: No. 2 Prelude in C-Sharp Minor | Sergei Rachmaninoff, Nikolai Lugansky | A Major | 1 | 11B | 98 BPM | ||
Oboe Concerto No. 1 in D Minor: II. Grazioso | Ludwig August Lebrun, Bart Schneemann, Radio Chamber Orchestra, Jan Willem de Vriend | C Major | 0 | 8B | 65 BPM | ||
Waldszenen, Op. 82: No. 7 Vogel als Prophet | Robert Schumann, Wilhelm Kempff | E Major | 0 | 12B | 120 BPM | ||
Serenade No. 1 in D Major, Op. 11: IVb. Menuetto II | Johannes Brahms, Gävle Symphony Orchestra, Jaime Martin | A Major | 1 | 11B | 110 BPM | ||
La Damnation de Faust, Op. 24 / Part 1: Marche hongroise | Hector Berlioz, Orchestre des Concerts Lamoureux, Igor Markevitch | A Minor | 4 | 8A | 102 BPM | ||
String Quartet No. 4 in C Major, K. 157: I. Allegro | Eder Quartet | G Major | 0 | 9B | 130 BPM | ||
Bach, JS: Piano Concerto No. 1 in D Minor, BWV 1052: I. Allegro | Johann Sebastian Bach, David Fray, Deutsche Kammerphilharmonie Bremen | G Minor | 2 | 6A | 123 BPM |
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