Franz Joseph Haydn, Maurice André, Munich Chamber Orchestra, Hans Stadlmair made "Trumpet Concerto in E Flat, H.VIIe/1: III. Allegro" available on April 13, 2020. With this song being about 5 minutes long, at 4:36, "Trumpet Concerto in E Flat, H.VIIe/1: III. Allegro" by Franz Joseph Haydn, Maurice André, Munich Chamber Orchestra, Hans Stadlmair is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Work From Home With Haydn by Franz Joseph Haydn. The song's track number on the album is #11 out of 88 tracks. Based on our statistics, Trumpet Concerto in E Flat, H.VIIe/1: III. Allegro's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Trumpet Concerto in E Flat, H.VIIe/1: III. Allegro by Franz Joseph Haydn, Maurice André, Munich Chamber Orchestra, Hans Stadlmair has a tempo of 135 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Trumpet Concerto in E Flat, H.VIIe/1: III. Allegro being at 135 BPM, the half-time would be 68 BPM with a double-time of 270 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
The Hebrides, Op. 26 (Fingal's Cave) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Kyrie | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | B♭ Major | 2 | 6B | 99 BPM | ||
Bagatelle in A minor, WoO 59 -"Für Elise" | Ludwig van Beethoven, Alfred Brendel | A Minor | 0 | 8A | 130 BPM | ||
Telemann: Trumpet Concerto in D Major, TWV 51:D7: II. Grave | Georg Philipp Telemann, Philharmonia Orchestra, Leslie Pearson, Maurice André, Riccardo Muti | B Minor | 0 | 10A | 50 BPM | ||
Stanley / Arr. Defaye: 10 Voluntaries, Op. 6: No. 5, Trumpet Tune in D Major | John Stanley, Maurice André, Jane Parker-Smith | D♭ Minor | 1 | 12A | 100 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Suite in D Major: VII. Hornpipe | Maurice André | D Major | 2 | 10B | 86 BPM | ||
La Nuit Ballet: Ouverture | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 3 | 11A | 61 BPM | ||
Charpentier: Te Deum, H. 146: I. Prélude | Marc-Antoine Charpentier, Maurice André, Louis Martini, Orchestre de chambre Jean-François Paillard | D Major | 4 | 10B | 134 BPM |
Section: 0.9655463695526123
End: 0.9698624610900879